[DSD256高码分享]布鲁克纳- No 9 交响曲

懒懒猫

布鲁克纳第九交响曲的第一个草图可以追溯到1887年，就在布鲁克纳完成了他的第八交响曲之后不久，尽管他在第九交响曲中的工作一直拖下去，经常被打断。正是在这段时间，布鲁克纳将回到他以前的几部交响乐作修改（1889年的第二部和第三部，以及后来的第一部和第四部交响乐）。在指挥家赫尔曼·列维否决了第一乐谱后，他也着手修改他的第八交响曲。
自始至终，布鲁克纳一直遭受着健康问题的困扰。因此，第九乐章的第一乐章直到1893年底才完成，第二乐章和第三乐章是在1894年完成的。然后，布鲁克纳将剩余的时间，直到他去世，投入到第四乐章。在这一有据可查的运动中，172项措施得到了充分的安排，而剩余的措施直到coda（完全缺失）都是不完整的。因此，布鲁克纳要求他在1884年完成的第四乐章，而不是未完成的第四乐章。
链接：/s/14ZJrkOM6iKGjkKXLc7aqsA
提取码：jfwy

lam8888

谢谢分享。

ejack

非常喜欢看到这种文字，边欣赏边涨知识

wyw66

谢谢分享！

8961373

谢谢分享。

黄玫瑰

如果布鲁克纳0-9全部交响曲的dsd256分享就好了。

hzruandh

感谢分享：）

懒懒猫

黄玫瑰 发表于 2024-2-21 23:04
如果布鲁克纳0-9全部交响曲的dsd256分享就好了。

慢慢来，要真实的256才行，升码的也没啥意义嘛

bomberb2

老兄你注意看看，你分享的这个文件夹，其中source & Rip note 就写明就是DSD64 升频到 DSD256来的啊。你看source & Rip note text。 由这一家叫 Native DSD 的网站采用 Pyramix workstation，把原来的 SACD DSD64 升频制作 DSD256/512,  是否获得唱片商的授权则不太清楚，

  
此文件最后一段 特别注明：
This recording was made & post-produced in DSD256 on a Pyramix workstation.

Digital Converters: Horus, Merging Technologies
Microphones: DPA 4006


---------------------------------------------
Source & Rip note :

Bruckner - Symphony No. 9 in D minor - Pittsburgh Symphony Orchestra - Manfred Honeck - Reference Recordings REF 733 (2019)
2ch  DSD256 dsf 1bit/11.3MHz  (9.96GB) | Source: native_dsd  | DR11 | PDF | Classical

A Soundmirror recording

The 1st sketches of Bruckner抯 9th Symphony date back to 1887, shortly after Bruckner had completed his 8th Symphony, though his work on the 9th dragged on and was often interrupted. It was during this same time that Bruckner would return to several of his previous symphonies for revisions (the 2nd and 3rd in 1889, and later the 1st and 4th Symphonies). He also set about revising his 8th Symphony after the conductor Hermann Levi rejected the 1st score.
Throughout, Bruckner suffered ongoing health issues. As a result, the 1st movement of the 9th was not completed until the end of 1893, with the 2nd and 3rd movements following in 1894. Bruckner would then devote the remaining time, until his death, on the 4th movement. Of this well-documented movement, 172 measures are fully orchestrated, while the remaining measures up to the coda (which is entirely missing) are incomplete. Bruckner therefore asked that his Te Deum, finished in 1884, be performed instead of the unfinished 4th movement.

https://www.youtube.com/watch?v=VJEPUxNNDaU

AllMusic:
In 2019, Manfred Honeck and the Pittsburgh Symphony Orchestra released their 2nd Bruckner recording as a hybrid SACD on Reference Recordings, a powerful interpretation of the unfinished Symphony No. 9 in D minor that shows these musicians' remarkable affinity for the composer. In choosing the unfinished, 2-movement version of the work, thereby avoiding any controversy over the various completions of Bruckner's intended finale, Honeck adheres to the long-established 1951 edition by Leopold Nowak, so there are no textual surprises. What is somewhat unexpected for a performance of the 9th is Honeck's careful analysis of the material Bruckner incorporated, such as the "Miserere" from the "Gloria" of his Mass in D minor, the "Annunciation of Death" motive from the 8th Symphony, and references to the Latin text of the Agnus Dei which influenced the design of the Adagio, among other internal evidence that sheds light on Bruckner's religious motivation in composing this symphony. Many conductors recognize the significance of Bruckner's dedication of the work to God, yet Honeck has identified the particular instances in the symphony that, like the structure of the 5th Symphony, clearly reveal Bruckner's faith, and that the 9th is far from being absolute music without programmatic content. This no doubt adds power to the music and clarifies its somewhat mystifying content. The wide-open sound of this audiophile recording goes far in conveying the expressive depth and sweep of the performance, capturing the orchestra in a spacious acoustic that adds true grandeur to Bruckner's most personal paean to God.

Amazon reviews: https://www.amazon.com/Bruckner-Symphony-Minor-Pittsburgh-Orchestra/dp/B07TPYX1S5

    Tracks:

Bruckner - Symphony No. 9 in D minor (1896; unfinished) ed. Nowak

I Feierlich � Sehr ruhig 25:04
II Scherzo: Bewegt, lebhaft � Trio: Schnell 10:20
III Adagio: Sehr langsam, feierlich 27:46

    Time: 63:12

    Musicians:

Pittsburgh Symphony Orchestra
Manfred Honeck

Recording:
Recorded Live: February 23-25, 2018, Heinz Hall for the Performing Arts, Pittsburgh, PA

Soundmirror, Boston:
Producer: Dirk Sobotka
Balance Engineer: Mark Donahue
Recording Engineer: Mark Donahue
Editing: Dirk Sobotka
Mixing and Mastering: Mark Donahue

This recording was made & post-produced in DSD256 on a Pyramix workstation.

Digital Converters: Horus, Merging Technologies
Microphones: DPA 4006

黄玫瑰

说的好！谢谢你。