Penguin Guide to 1000 Finest Classical Recordings - Must-Have CDs and DVDs

joseph_li

WOLF, Hugo (1860–1903)
Italian Serenade; Penthesilea (symphonic poem); Scherzo and Finale; Der Corregidor (opera): Prelude and Intermezzo  《意大利小夜曲》；《彭忒西勒亚》（交响诗）；《谐谑曲与终曲》；歌剧《总督》：序曲与间奏曲*
Warner Apex 0927 49582-2. O de Paris, Barenboim

For those who know only Wolf’s Italian Serenade and enjoy the subtle word-painting of the Lieder, this orchestral collection will come as something of a shock. The early three-part symphonic poem, Penthesilea (1883–5), is turbulently and voluptuously romantic in a style of post-Lisztian hyperbole, while the Prelude to Der Corregidor is Wagnerian in its expansive opulence. Barenboim plays both with uninhibited exuberance and almost convinces the listener that Penthesilea is worthy of standing alongside the music of Strauss. The Intermezzo, however, is almost in the style of French ballet music, and the well-known Serenade, of course, is similarly lightweight and sunny. The Scherzo and Finale of 1876–7 shows the precocious skill of an 18-year-old: it is music of more than a little substance and is felicitously scored, although Wagner briefly raises his head again in the Finale. Barenboim makes the very most of all these pieces, and they are played with much conviction. The recording is rather resonant but otherwise acceptable.

仅熟悉沃尔夫《意大利小夜曲》及其艺术歌曲精妙绘词法的乐迷，或将为这套管弦乐选集感到震撼。早期三联交响诗《彭忒西勒亚》（1883-85）以李斯特式的夸张手法，展现狂暴而艳丽的浪漫风格；而《总督》序曲则呈现瓦格纳式的恢弘华彩。巴伦博伊姆以毫无拘束的激情演绎这两部作品，几乎令人信服《彭忒西勒亚》足以与施特劳斯比肩。然而间奏曲却近乎法国芭蕾风格，著名的《小夜曲》同样轻盈明媚。1876-77年的《谐谑曲与终曲》展现了18岁天才的早熟技艺：虽终曲偶现瓦格纳身影，但音乐实质丰厚，配器精巧。巴伦博伊姆极尽挖掘这些作品的潜力，演绎充满说服力。录音虽回声过重，尚可接受。  


Spanisches Liederbuch (complete)  《西班牙歌曲集》
DG (ADD) 457 726-2 (2). Schwarzkopf, Fischer-Dieskau, Moore

In this superb DG reissue, the sacred songs provide a dark, intense prelude, with Fischer-Dieskau at his very finest, sustaining slow tempi impeccably. Schwarzkopf’s dedication comes out in the three songs suitable for a woman’s voice; but it is in the secular songs, particularly those which contain laughter in the music, where she is at her most memorable. Gerald Moore is balanced rather too backwardly – something the transfer cannot correct – but gives superb support.

在这张卓越的DG再版中，宗教歌曲以菲舍尔-迪斯考巅峰状态的演绎构成深沉而强烈的序幕，其慢速处理无可挑剔。施瓦茨科普夫在适合女声的三首歌曲中尽显专注力，但真正令人难忘的是世俗歌曲——尤其是那些蕴含笑意的乐章。杰拉尔德·摩尔的钢琴伴奏虽因平衡略偏靠后（转录技术无法修正），仍提供了绝妙支撑。


https://115cdn.com/s/swwrqkn3hq9?password=3377&#
Wolf, Hugo - Penthesilea, Der Corregidor, Scherzo, Finale etc. - Daniel Barenboim, Orchestre de Paris [Warner]等2个文件(夹)

joseph_li

WOLFF, Albert, with the Paris Conservatoire Orchestra
Overtures: SAINT-SAËNS: La Princesse Jaune. BERLIOZ: Benvenuto Cellini; Le Carnaval romain; Le Corsaire; Les Francsjuges; Le Roi Lear. ADAM: Si j’étais roi. HÉROLD: Zampa. REZNICEK: Donna Diana. SUPPÉ: Pique Dame. NICOLAI: The Merry Wives of Windsor  序曲集：圣桑《黄衣公主》；柏辽兹《本韦努托·切利尼》《罗马狂欢节》《海盗》《法兰克法官》《李尔王》；亚当《若我为王》；埃罗尔德《赞帕》；雷兹尼切克《狄安娜夫人》；苏佩《黑桃皇后》；尼古拉《温莎的风流娘们》
Australian Decca Eloquence (ADD) 480 2385 (2) – AUBER: Overtures

These recordings from the 1950s readily demonstrate a Gallic style of orchestral playing which now has all but disappeared, with performances of much character and personality. Five of the overtures, those by Adam, Hérold, Reznicek, Suppé and Nicolai, were originally released in 1958 under the title ‘Overtures in Hi-Fi’, and they have never sounded better, with only a certain tubbiness betraying their age. Just listen to the way Wolff points the strings in Si j’étais roi, and the genial vitality which pervades the music-making throughout. Even the obvious fluff in the brass in Zampa (at 3 minutes 25 seconds) seems acceptable under the circumstances. The rest of the items are in (good) mono sound. Both Le Roi Lear and Les Francs-juges Overtures were (and remain) comparative rarities, yet both are excellent works, while the latter contains one of the best tunes Berlioz ever wrote. Even more rare is the delightful La Princesse Jaune Overture of Saint-Saëns, which certainly tickles the ear. They are coupled with Wolff’s classic recordings of Auber overtures, making this collection very valuable.

这套1950年代的录音鲜活展现了如今几近绝迹的法式管弦乐风格，每首都充满独特个性。亚当、埃罗尔德、雷兹尼切克、苏佩与尼古拉的五首序曲最初以《高保真序曲集》为名于1958年发行，此次重制堪称最佳音质版本——仅低频略显浑浊暴露出年代痕迹。聆听沃尔夫在《若我为王》中对弦乐声部的精妙调度，以及贯穿始终的盎然生机，就连《赞帕》铜管声部明显的失误（3分25秒处）在如此演绎中也显得情有可原。其余单声道录音（音质上佳）中，《李尔王》与《法兰克法官》序曲至今仍属稀见曲目，却皆为杰作，后者更包含柏辽兹笔下最动人的旋律之一。圣桑玲珑剔透的《黄衣公主》序曲更是稀世珍品，必令听者会心一笑。此辑另收录沃尔夫经典的奥柏序曲录音，收藏价值极高。


https://115cdn.com/s/swwrqks3hq9?password=3377&#
Overtures In Hi-Fi - Wolff, Albert [DECCA]

这张碟Qinyanyi 兄在第54楼也发过，现在发的这个是从Qobuz上抓过来的。

joseph_li

WOLF-FERRARI, Ermanno (1876–1948)
La dama boba: Overture. I gioielli della Madonna: Suite. Overtures & Intermezzi from: L’amore medico; Il campiello; I quattro rusteghi; Il segreto di Susanna. (i) Suite-Concertino in F, for Bassoon and Orchestra, Op. 16  歌剧《愚妇》序曲；《圣母的珠宝》组曲；序曲与间奏曲（选自《爱情医生》《小广场》《四个鲁莽汉子》《苏珊娜的秘密》）；(i) F大调《巴松管与乐队小协奏组曲》，作品16
Chan. 10511. BBC PO, Noseda, (i) with Geoghegan

A warm welcome to a superb collection of Wolf-Ferrari’s sparkling orchestral music. Beginning with the dramatic Festa popolare from The Jewels of the Madonna, Wolf-Ferrari provides an endless succession of sweetly tuneful music with ear-tickling orchestrations, lively dances contrasting with beautiful intermezzi, such as the delicately delicious one from I quattro rusteghi. The Suite-Concertino in F is a great rarity – and what a charmer it is, with Chandos’s recent find, the superb bassoonist Karen Geoghegan, bringing out all the colour of this score. The second movement, Strimpellata, is especially catchy, but this CD abounds with catchy melodies. The overture to Il segreto di Susanna sparkles brightly, and the scurrying string-writing in the overture to the opera, L’amore medico, is exhilarating. The Chandos recording is first class, with the deep, resonant bass-drum in L’amore medico marvellously captured.

这套精彩绝伦的沃尔夫-费拉雷管弦乐作品集值得热烈喝彩。从《圣母的珠宝》中戏剧性的《民间节庆》开始，作曲家以层出不穷的甜美旋律与俏皮配器征服听觉——活泼舞曲与精美间奏曲（如《四个鲁莽汉子》中那支精致可人的段落）交相辉映。F大调《小协奏组曲》实属稀世珍品，而Chandos新发掘的杰出巴松管演奏家凯伦·乔根更将这部作品的所有色彩完美呈现。第二乐章《斯特林佩拉塔》尤其令人过耳难忘，但整张CD处处洋溢着这样的抓耳旋律。《苏珊娜的秘密》序曲闪耀着明亮光彩，《爱情医生》序曲中疾驰的弦乐写作更令人振奋。Chandos的录音堪称一流，《爱情医生》中深沉回荡的低音大鼓效果尤为惊艳。


https://115cdn.com/s/swwrqkb3hq9?password=3377&#
Wolf-Ferrari, Ermanno - Orchestral Works - Karen Geoghegan, Gianandrea Noseda [Chandos 24-96]等2个文件(夹)

joseph_li

WOOD, Haydn (1882–1959)
Apollo Overture; A Brown Bird Singing (paraphrase for orchestra); London Cameos (suite): Miniature Overture: The City; St James’s Park in the Spring; A State Ball at Buckingham Palace. Mannin Veen (Manx tone-poem); Moods (suite): Joyousness (concert waltz). Mylecharane (rhapsody); The Seafarer (A Nautical Rhapsody); Serenade to Youth; Sketch of a Dandy  《阿波罗序曲》；《棕鸟啼鸣》（管弦乐释义曲）；《伦敦剪影》组曲：微型序曲《都市》《春日圣詹姆斯公园》《白金汉宫国宴舞会》；《曼宁威尼斯》（马恩岛音诗）；《心境》组曲：《欢愉》（音乐会圆舞曲）；《迈尔查理恩》（狂想曲）；《航海者》（航海狂想曲）；《致青春小夜曲》；《纨绔子弟素描》
Marco Polo 8.223402. Czech-Slovak RSO (Bratislava), Leaper

Haydn Wood, an almost exact contemporary of Eric Coates and nearly as talented, spent his childhood on the Isle of Man, and much of his best music is permeated with Manx folk-themes (original or simulated). Mannin Veen (‘Dear Isle of Man’) is a splendid piece, based on four such folksongs. The companion rhapsody, Mylecharane, also uses folk material, if less memorably, and The Seafarer is a wittily scored selection of famous shanties, neatly stitched together. The only failure here is Apollo, which uses less interesting material and is over-ambitious and inflated. But the English waltzes are enchanting confections and Sketch of a Dandy is frothy and elegant. Adrian Leaper is clearly much in sympathy with this repertoire and knows just how to pace it; his Czech players obviously relish the easy tunefulness and the sheer craft of the writing. With excellent recording in what is surely an ideal acoustic, this is very highly recommendable.

海顿·伍德与埃里克·科茨几乎完全同时代且才华相当，其童年于马恩岛度过，因而最佳作品多渗透着马恩岛民谣主题（原创或模拟）。《曼宁威尼斯》（意为"亲爱的马恩岛"）是基于四首此类民谣的杰作；姊妹篇《迈尔查理恩》狂想曲同样采用民谣素材（虽记忆点稍逊）；《航海者》则是巧妙编织经典船歌的诙谐之作。唯《阿波罗》稍显逊色——素材平淡且野心过甚。但英式圆舞曲令人沉醉，《纨绔子弟素描》尽显浮华优雅。阿德里安·利珀深谙此道，精准掌控节奏；捷克演奏家们显然陶醉于这些易记的旋律与精妙笔法。顶级录音与理想声学环境相得益彰，强烈推荐。


https://115cdn.com/s/swwrqk73hq9?password=3377&#
Wood, Haydn - Sketch of A Dandy, London Cameos etc. - Adrian Leaper, Slovak RSO [Marco Polo]

joseph_li

WUNDERLICH, Fritz (tenor)
‘The Magic of Wunderlich’, arias from: HANDEL: Serse (with Bav. RSO, Kubelik). MOZART: Don Giovanni (with Munich PO, Rieger); Die Entfürung aus dem Serail (with Bav. State Op. O, Jochum); Die Zauberflöte (with BPO, Boehm). LORTZING: Zar und Zimmermann (with Bamberg SO, Gierster). BIZET: Les Pêcheurs de perles (Munich RSO, Stein). TCHAIKOVSKY: Eugene Onegin (with Bav. State Op. O, Gerdes). VERDI: Rigoletto. BELLINI: La sonnambula (with Munich RSO, Eichhorn); La traviata (with Bav. RSO, Bartoletti). PUCCINI: Tosca (with Baden-Baden SW R.O, Smola). KÁLMÁN: Gräfin Mariza. STOLZ: Frühjahrsparade (with V. Volksoper, Stolz). HAYDN: The Creation (with BPO, Karajan). GLUCK: Iphigénie en Tauride (with Bav. RSO, Kubelik). MAILLART: Les Dragons de Villars (with Munich RSO, Moltkau). R. STRAUSS: Der Rosenkavalier (with Bav. State Op. O, Kempe). Songs: SPOLIANSKY: Heute nacht oder nie. MAY: Ein Lied geht um die Welt. BRODSZKY: Be my love. LARA: Granada (with Graunke SO, Carste). KREUTZER: Das Nachtlager von Granada (Munich RSO, Eichhorn). R. STRAUSS: Heimliche Aufforderung; Ich trage meine Minne; Morgen; Ständchen; Zueignung (with Bav. RSO, Koetsier). Bonus DVD: Arias from: ROSSINI: Il barbiere di Siviglia. TCHAIKOVSKY: Eugene Onegin (with Bav. State Op. O, Keilberth)
「翁德里希的魔力」咏叹调选段：亨德尔《塞尔斯》（巴伐利亚广播交响乐团，库贝利克指挥）；莫扎特《唐璜》（慕尼黑爱乐乐团，里格指挥）、《后宫诱逃》（巴伐利亚国立歌剧院乐团，约胡姆指挥）、《魔笛》（柏林爱乐乐团，伯姆指挥）；洛尔青《沙皇与木匠》（班贝格交响乐团，吉尔斯特指挥）；比才《采珠人》（慕尼黑广播交响乐团，斯坦因指挥）；柴可夫斯基《叶甫盖尼·奥涅金》（巴伐利亚国立歌剧院乐团，格德斯指挥）；威尔第《弄臣》；贝利尼《梦游女》（慕尼黑广播交响乐团，艾希霍恩指挥）、《茶花女》（巴伐利亚广播交响乐团，巴托莱蒂指挥）；普契尼《托斯卡》（巴登巴登西南广播乐团，斯莫拉指挥）；卡尔曼《马丽莎伯爵夫人》；斯托尔兹《春季阅兵》（维也纳人民歌剧院乐团，斯托尔兹指挥）；海顿《创世纪》（柏林爱乐乐团，卡拉扬指挥）；格鲁克《陶里德的伊菲姬尼》（巴伐利亚广播交响乐团，库贝利克指挥）；马亚尔《维拉尔的龙骑兵》（慕尼黑广播交响乐团，莫尔特考指挥）；R.施特劳斯《玫瑰骑士》（巴伐利亚国立歌剧院乐团，肯佩指挥）。艺术歌曲：斯波利亚斯基《今夜或永不》；梅《一曲绕寰宇》；布罗德斯基《做我的爱人》；拉拉《格拉纳达》（格劳恩克交响乐团，卡斯特指挥）；克罗伊策《格拉纳达的宿营地》（慕尼黑广播交响乐团，艾希霍恩指挥）；R.施特劳斯《秘密的邀请》《我怀着爱慕》《明天》《小夜曲》《奉献》（巴伐利亚广播交响乐团，科奇尔指挥）。附赠DVD：罗西尼《塞维利亚的理发师》；柴可夫斯基《叶甫盖尼·奥涅金》（巴伐利亚国立歌剧院乐团，凯尔伯特指挥）咏叹调
DG mono/stereo 477 5575 (2) with bonus DVD

For those not wishing to buy the seven-CD set of Wunderlich in DG’s Originals series, this carefully compiled two-CD set is the answer. Many of his most famous recordings are here, with stylish examples of his Tchaikovsky and Verdi, and very lively excerpts from Serse and, of course, some delicious Mozart. He is no less sophisticated in the lighter numbers, of which a good selection have been included (the Kálmán number is most winning) and the popular numbers like Lara’s Granada sound fresh and un-hackneyed. There’s the odd rarity too, such as the little-known aria from Maillart’s Les Dragons de Villars which makes one long to hear the whole work. It is Wunderlich’s consistent artistry and golden voice which permeate this set and he never lets you down in either beauty or style. The bonus DVD gives us a chance to see him working in the opera house, and again one laments his death at the incredibly early age of 36. There are no texts included, but the booklet notes are very good and there is a fair sprinkling of photographs. Excellent transfers.

对于不愿购买DG「原典系列」七碟装翁德里希全集的乐迷，这张精心编排的双CD集堪称完美替代。收录了他诸多著名录音：风格典雅的柴可夫斯基与威尔第选段、生机勃勃的《塞尔斯》选段，当然还有醇美的莫扎特唱段。他在轻歌剧领域同样游刃有余（卡尔曼选段尤为动人），而《格拉纳达》等流行曲目在他演绎下清新脱俗。更不乏冷门珍品，如马亚尔《维拉尔的龙骑兵》中鲜为人知的咏叹调，令人渴望聆听全剧。翁德里希始终如一的艺术造诣与黄金嗓音贯穿全辑，从未在美声与风格上令人失望。附赠DVD让我们得以窥见他在歌剧院的艺术风采，更令人为其36岁早逝扼腕。虽未附歌词本，但解说册资料翔实并配有大量照片，转录效果极佳。


https://115cdn.com/s/swwrqke3hq9?password=3377&#
Wunderlich, Fritz - The Art of Fritz Wunderlich [DG]等2个文件(夹)

joseph_li

XENAKIS, Iannis (1922–2001)
Antikhthon; Aroura; (i) Synaphaï (Connexities for Piano & Orchestra) 《安提克同》；《阿鲁拉》；(i)《西纳法》（钢琴与乐队《关联》）
Explore (ADD) EXP 0047. New Philh. O, Howarth; (i) with Madge

Using higher mathematics as well as a computer (slide-rule and graph paper to hand), Xenakis managed to produce works which to some ears actually sound like music, but to others are incomprehensible. The composer’s imagination, which defies any kind of technique, is in no doubt; however, for many the results are barren. The most ambitious of these three works, Antikhthon, is hypnotic in its range of colour, even if it fails to get you thinking of the infinite, as the composer intends. Excellent performances (so far as one can tell) and brilliant recording (from Decca, dating from 1975).

运用高等数学与计算机辅助（辅以计算尺与坐标纸），克赛纳基斯创作出在部分听众耳中确具音乐性、但对他人而言晦涩难解的作品。作曲家超越任何技法的想象力毋庸置疑，然其成果对多数人仍显枯涩。三部作品中最为宏大的《安提克同》虽未能如作曲家所愿引发对无限的哲思，但其色彩变幻仍具催眠效力。演绎堪称卓越（就可辨识范围而言），1975年Decca的录音亦精湛绝伦。


https://115cdn.com/s/swwrqd33hq9?password=3377&#
Xenakis, Iannis - Synaphai, Aroura, Antikhthon etc. - New PO, Elgar Howarth [DECCA]

joseph_li

YOST, Michél (1754–86)
Clarinet Concertos 7 in B flat; 8 in E flat; 9 in B flat; 11 in B flat  单簧管协奏曲：降B大调第7号；降E大调第8号；降B大调第9号；降B大调第11号
MDG 301 0718-2. Klöcker, Prague CO

Not many collectors will have heard of Yost before discovering this CD. But here are four delightfully bubbly Concertos, brimming with excellent tunes and plenty of wit, with any moments of drama soon pushed away with sunny abandon. This is a delightful CD and it is hard to imagine better performances or recordings.

多数收藏家在发现此CD前或未闻约斯特之名。但这里呈现的四部协奏曲洋溢着欢快气泡，充满优美旋律与机巧妙思，偶有的戏剧性瞬间亦被明媚洒脱迅速驱散。这张唱片令人愉悦，其演绎与录音水准堪称难以超越。


https://115cdn.com/s/swwrqdw3hq9?password=3377&#
Yost, Michél - Concertos for Clarinet & Orchestra - Dieter Klöcker, Prague CO [MDG]

joseph_li

YSAŸE, Eugène (1858–1931)
6 Sonatas for Solo Violin, Op. 27  六首无伴奏小提琴奏鸣曲
Naxos 8.555996. Kaler

As is well known, the six Sonatas Ysaÿe published in 1924 were written for the six greatest virtuosi of the day: Szigeti, Kreisler, Enescu, Jacques Thibaud and (less well remembered nowadays) Manuel Quiroga and Mathieu Crickboom. They are held in special regard by violinists who enjoy overcoming the technical challenges they pose. Ilya Kaler was a gold medallist in the Sibelius, Paganini and Tchaikovsky competitions and is a virtuoso of the first order. These are commanding accounts, which characterize the particular qualities of each Sonata to impressive effect.

众所周知，伊萨伊于1924年出版的这六首奏鸣曲分别题献给当时六位顶尖演奏大师：西盖蒂、克莱斯勒、埃奈斯库、雅克·蒂博，以及（如今较少被提及的）曼努埃尔·基罗加和马蒂厄·克里克博姆。这些作品因其技术挑战性备受小提琴家推崇。伊利亚·卡勒作为西贝柳斯、帕格尼尼和柴可夫斯基三大赛事金奖得主，堪称一流大师。他的演绎极具权威性，精准刻画出每首奏鸣曲的独特气质，成就令人赞叹。


https://115cdn.com/s/swwrqdo3hq9?password=3377&#
Ysaye, Eugene - Violin sonatas - Ilya Kaler [Naxos]

joseph_li

ZANDONAI, Riccardo (1883–1944)
Francesca da Rimini  《里米尼的弗兰切斯卡》
Arthaus DVD 101 363. Dessi, Armiliato, Marchigiana Ch. & PO, Barbacini (Director: Massimo Gasparon; V/D: Rossi)

Dubbed ‘the Italian Tristan’, Riccardo Zandonai’s telling of the legendary love story of Paolo and Francesca is drawn from a play by Gabriele d’Annunzio to a libretto by Tito Ricordi. It is a thoroughly workmanlike piece, attractive in its idiom but with melodies that only rarely stick in the memory. Before the first performance in 1914, Ricordi was much more concerned over the success of this piece than for the latest opera of Puccini, the composer who brought profits to his publishing firm.

The performance on this DVD under Barbacini is a warm and purposeful one, recorded live in 2004 at the Sferisterio Opera Festival in Macerata. Singing is good if not outstanding, led by the Francesca of Daniela Dessi and the Paolo of Fabio Armiliato. Paolo is one of the three Malatesta brothers, but Francesca is betrothed to Giovanni the Lame, though she thinks she is going to marry the brother she loves, Paolo, dubbed ‘the handsome’. The story echoes that of Tristan and Isolde, and in the opening scene a jester refers to that legend as well as to the legend of King Arthur and Guinevere. The climax comes when Paolo and Francesca are caught in flagrante and both are killed, a sequence that Zandonai passes over with surprising speed before the final curtain. A flawed work, but one well worth hearing in a warm and sympathetic performance like this, with traditional costumes and a stylized, single set.

被誉为"意大利版《特里斯坦》"的这部歌剧，以加布里埃尔·邓南遮的戏剧为蓝本，由蒂托·里科尔迪撰写剧本，讲述了保罗与弗兰切斯卡的传奇爱情故事。这部作品结构工整，风格颇具吸引力，但旋律鲜能令人过耳不忘。在1914年首演之前，剧本作者里科尔迪对这部作品的关注程度甚至超过了普契尼的最新歌剧——尽管后者才是其出版公司的利润支柱。  

这张DVD收录的是2004年在马切拉塔斯费里斯特里奥歌剧节上的现场演出，由巴尔巴奇尼执棒，演绎温暖而富有张力。丹妮拉·德西饰演的弗兰切斯卡与法比奥·阿米利亚托饰演的保罗领衔的演唱阵容虽非绝顶出色，但仍属上乘。保罗是马拉泰斯塔三兄弟之一，而弗兰切斯卡被许配给跛脚的乔瓦尼，却误以为自己将嫁给心爱的"美男子"保罗。剧情与《特里斯坦与伊索尔德》相互呼应，开场时小丑就影射了这个传说以及亚瑟王与格温娜维尔的典故。当保罗与弗兰切斯卡幽会被当场捉获并双双殒命时，剧情达到高潮——令人惊讶的是，赞多纳伊以极快的速度处理了这一情节后便落下终幕。虽有瑕疵，但这场采用传统服饰与风格化单一布景的温情演绎，仍值得观众细细品味。


DVD：
没找到，油管有一小段，但不提供下载。

joseph_li

ZELENKA, Jan (1679–1745)
Complete Orchestral Works: Capriccios 1–5; Concerto à 8 concertanti; Hipocondrie à 7 concertanti; Melodrama de St Wenceslao: Symphonia; Ouverture à 7 concertanti; Simphonie à 8 concertanti  管弦乐作品全集：五首随想曲；八声部协奏曲；七声部协奏曲《臆想》；《圣瓦茨拉夫音乐戏剧》：交响曲；七声部序曲；八声部交响曲
CPO 999 897-2 (3). Neu-Eröffnete O, Sonnentheil

A contemporary of Bach and Handel, Jan Dismas Zelenka was among the most original composers of the period but is still something of a mystery figure when no portrait survives. Unlike his great contemporaries, he remained an underling in the world of his time. Happily, his music has survived, and this fine collection of his complete orchestral works is compiled from three separate discs issued earlier. All the works, including the five multi-movement Capriccios and the oddly named Hipocondrie, involve elaborate concertante writing and, although the soloists here are not as starry as those on the earlier set (which involved Heinz Holliger and Barry Tuckwell), the use of period instruments instead of modern adds to the freshness and bite, with the natural horns, above all, breathtakingly brilliant in music that ranges wide in its emotions.

作为巴赫与亨德尔同时代的作曲家，扬·迪斯马斯·泽伦卡堪称当时最具独创性的音乐家之一，但因未有肖像传世，至今仍蒙着神秘面纱。与同时代巨匠不同，他终其一生未能摆脱卑微地位。所幸其音乐作品得以留存，这套精美的管弦乐全集由早前发行的三张独立唱片整合而成。所有作品——包括五首多乐章随想曲和标题奇特的《臆想》——均采用精妙的协奏手法创作。虽本辑独奏家阵容不及早年版本（曾有海因茨·霍利格与巴里·塔克威尔参与）耀眼，但使用古乐器替代现代乐器反而增添了清新感与锐度，尤其是自然圆号在情感跨度极大的乐段中展现出令人屏息的辉煌色彩。


https://115cdn.com/s/swwrqdv3hq9?password=3377&#
Zelenka, Jan - Complete Orchestral Works - Das Neu-Eröffnete Orchestre, Sonnentheil [CPO]

joseph_li

ZEMLINSKY, Alexander von (1871–1942)
(i) Cymbeline (incidental music); (ii) Lyrische Symphonie, Op. 18  (i)《辛白林》配乐；(ii)《抒情交响曲》，作品18
Chan. 10069. Czech PO, Beaumont, with (i) Brezina, Bremen Shakespeare Company (members); (ii) Karlsen, Grundheber

Along with Die Seejungfrau, the Lyric Symphony is the most performed and recorded of Zemlinsky’s works, but this Czech recording has a special claim to attention in that it is based on a new critical edition of the score by Antony Beaumont himself. This clears up the odd engravers’ and copyists’ errors and expunges a few cymbal crashes which Zemlinsky himself removed during rehearsals. Textual matters aside, this performance is very fine indeed and, in the Norwegian soprano Turid Karlsen and Franz Grundheber, it has dedicated soloists. The incidental music to Cymbeline makes an attractive coupling, also edited by the conductor. Scored for full-scale orchestra, including triple wind, harp, harmonium, celesta and a substantial array of off-stage instruments, it is full of resonance and inventive sonorities. It makes a good introduction to the composer and, like the Symphonie, is very well recorded.

与《人鱼》并列为策姆林斯基最常上演与录音的作品，《抒情交响曲》此番捷克录音因采用安东尼·博蒙特亲自校订的新学术评注版乐谱而独具价值。该版本修正了刻版师与抄谱员的讹误，并删除了作曲家本人在排练过程中移除的若干钹声。抛开文本考据，这场演绎本身极其出色——挪威女高音图里德·卡尔森与男中音弗朗兹·格伦德赫伯倾情献声。《辛白林》配乐作为附加曲目同样由指挥家编辑整理，其配器囊括三管编制乐队、竖琴、簧风琴、钢片琴及大量幕后乐器，充满共鸣效果与创新音响，堪称认识作曲家的绝佳入门。两部作品录音俱佳。  


Choral Music: (i) Aurikelchen; (ii–iii) Frühlingsbegräbnis; (i) Frühlingsglaube; Geheimnis; Minnelied; (i; iv) Hochzeitgesang; (ii) Psalms 13, 23 & 83. Orchestral Lieder: (v) 2 Gesänge (for baritone & orchestra); (vi) 6 Maeterlinck Gesänge, Op. 13; (vii) Maiblumen blühten überall; (viii) Symphonische Gesänge, Op. 20; (vii) Waldgespräch.  合唱作品：(i)《小报春花》；(ii–iii)《春日葬礼》；(i)《春之信念》；《秘密》；《恋歌》；(i; iv)《婚庆颂》；(ii)《诗篇》第13、23、83篇。管弦乐艺术歌曲：(v)男中音与乐队《两首歌曲》；(vi)《梅特林克歌曲六首》，作品13；(vii)《五月花开处处》；(viii)《交响歌曲》，作品20；(vii)《林中对话》
EMI Gemini 5 86079-2 (2). (i) Mülheimer Kantorei; (ii) Düsseldorf State Musikvereins Ch.; (iii) with Voigt, Albert; (iv) Blum; (v) Schmidt; (vi) Urmana; (vii) Isokoski; (viii) Volle; Gürzenich O & Cologne PO, Conlon

The major choral works here are Zemlinsky’s passionate and intense settings of the three Psalms. In a manner recognizable from his operas, the first two bring sensuous writing more apt for the Song of Solomon than the Psalms; the third (LXXXIII) brings dramatic martial music. Those three items as well as the cantata, The Burial of Spring, in seven compact movments, were recorded live in Cologne and bring warm, committed performances under Conlon as a dedicated Zemlinsky interpreter. The other, lighter items were recorded later in the studio.

The two major solo works are both for soprano: Waldgespräch an Eichendorff/Loreley ballad, accompanied by a pair of horns, harp and strings, and Maiblumen blühten überall, inspired by Schoenberg’s Verklaerte Nacht and supported no less alluringly by a string sextet. Soile Isokoski responds with passion to both works, and Andreas Schmidt is no less responsive in the Zwei Gesänge, orchestrated by Antony Beaumont, both very Wagnerian in feeling. Michael Volle proves boldly dramatic in the Symphonische Gesänge, and if Violeta Urmana is less than ideally seductive in the Maeterlinck cycle, as always with Zemlinsky the orchestral sounds are as luscious as ever, with Conlon a splendidly supportive accompanist; and translations are included.

核心合唱作品当属策姆林斯基以炽烈激情谱写的三首《诗篇》。前两首延续其歌剧中的感官笔触，其香艳气质更贴近《雅歌》而非《诗篇》；第三首（第83篇）则迸发戏剧性的战争音画。这三部作品与七乐章康塔塔《春日葬礼》均科隆现场实况录音，由策姆林斯基诠释专家詹姆斯·康伦执棒，演绎温暖而投入。其余轻量级曲目为后期录音室补录。  

重要独唱作品均為女高音而作：《林中对话》取材艾兴多夫/罗蕾莱叙事诗，以双圆号、竖琴与弦乐伴奏；《五月花开处处》受勋伯格《升华之夜》启发，由弦乐六重奏铺陈迷人音景。索伊莱·伊索科斯基以激情诠释两作，安德烈亚斯·施密特在博蒙特配器的《两首歌曲》中同样出色，二者皆具瓦格纳式浓烈情感。迈克尔·沃勒在《交响歌曲》中展现雄浑戏剧张力，虽乌尔玛娜在《梅特林克套曲》中诱惑力稍欠，但策姆林斯基笔下管弦乐音响始终丰美如初，康伦的伴奏支撑无懈可击。内附歌词译文。


https://115cdn.com/s/swwrqde3hq9?password=3377&#
Zemlinsky, Alexander - Complete Choral Works - James Conlon [Warner]等3个文件(夹)
EMI双张没找到，找到两张单碟，曲目一致。

joseph_li

分享到此就算正式结束了，历时83天，比我预期的快了很多，这与5盘强大的在线处理能力（如搜索、复制、重命名、文本文件编辑等等）有很大的关系。

在此过程中，得到了多位大佬（有但不限于langong2004、wpx426、Xunianfeng、Qinyanyi、sickworm119、leitong、guqin）的鼎力支持，，没找到的资源占比不到3%，我也收获了很多珍贵的资源，在此一并表示感谢。


---END---

leitong

感谢！好帖！
期待老兄继续发其它好资源。
这个帖子令我收益多多，主要是以前不喜欢看的英文赏析，这下都有中文了。

langong2004

毅力促成此贴 壮举

不亦乐乎lh

joseph_li 发表于 2025-8-19 22:52
分享到此就算正式结束了，历时83天，比我预期的快了很多，这与5盘强大的在线处理能力（如搜索、复制、重命 ...

感激楼主及提到和未提到的各位大佬，奉献了这么齐全的资源分享！
收藏主题，今后再慢慢品味！

sickworm119

辛苦楼主~~~，这么浩大的工程，没有毅力和热爱肯定完成不了

加精收藏！！！

武陵渔家

感谢楼主耗时费力的83天分享，我转存了不少此前遍寻不获的珍贵资源。

xzmumaren

感谢并祝贺！

dftn888

十分感谢楼主主题古典音源，祝贺摩天大楼封顶完工！

huzuoan

joseph_li 发表于 2025-8-19 22:52
分享到此就算正式结束了，历时83天，比我预期的快了很多，这与5盘强大的在线处理能力（如搜索、复制、重命 ...

感谢楼主无私奉献，听者有福啊！