Penguin Guide to 1000 Finest Classical Recordings - Must-Have CDs and DVDs

joseph_li

joseph_li 发表于 2025-7-27 21:35
PARRY, Hubert (1848–1918)
(i) The Birds: Bridal March. (ii) English Suite; Lady Radnor’s Suite (b ...

交响乐盒装版第二交响曲可能是因为文件名包含了 Cambridge，与牛津词典同名，有侵权的可能，被判违规，重新上传再分享试试。

5盘比度盘恶劣很多，度盘文件被判规，取消分享以后可以正常使用，5盘就只能删除。


https://115cdn.com/s/swwdez43hq9?password=3377&#
Parry, Hubert - The Symphonies - Matthias Bamert, LPO [Chandos]等3个文件(夹)

wpx426

joseph_li 发表于 2025-7-29 11:53
The Fiery Angel (complete, DVD version) 《火天使》
Arthaus DVD 100 390. Gorchakova, Leiferkus, Pluz ...

补个DVD顶个贴吧，不忍看到沦落出首页啊

通过百度网盘分享的文件：11 The Fiery Angel - Kirov Op. Ch. ...
链接：https://***.com/s/1FUaX7yr2htI-gF3xRthaFw?pwd=cwvd

joseph_li

wpx426 发表于 2025-7-30 10:45
补个DVD顶个贴吧，不忍看到沦落出首页啊

通过百度网盘分享的文件：11 The Fiery Angel - Kirov Op.  ...

哈哈，别纠结这个了，懂的自然懂，不懂放在首行也没用。
论坛自从去年下半年来了某克网盘地推以后，首页基本被一些炒冷饭信息霸屏，无论多好的资源，基本两三天在首页就见不到了。网管视若无睹，不过也能理解，这是个完全免费开放的平台，运作需要资金。

dftn888

“懂的自然懂，不懂放在首行也没用。” 正确，

joseph_li

PUCCINI, Giacomo (1858–1924)
La Bohème (DVD and CD versions) 《波希米亚人》
EMI DVD 2 17417-9. Gheorghiu, Vargas, Arteta, Tézier, Luisotti (Producer: Franco Zeffirelli)
DG 477 6600 (2). Netrebko, Villazón, Cabell, Daniel, Children’s Ch. & Bav. R. Ch. & SO, De Billy

Zefirelli’s extraordinary set, especially built for the Met. production of La Bohème, has already been used for over 300 performances over the years. It is still unsurpassed, and visitors walking on stage in the Act II street scene have felt they were actually in Paris itself. The opera opens and closes just as seductively in the house-top garret, while the snow in Act III is astonishing tangible. One wishes opera settings could always be realistic like this, instead of too often following producers’ crazily eccentric whims, with no connection to the music. Gheorghiu’s return to the Met. for this production was rightly celebrated. She sings gloriously, of course, but her portrayal of Mimì has matured, notably so in her acting in the opening scene, her first meeting with Rudolfo (Ramón Vargas), also singing ardently. Clearly this lovers’ meeting is not quite as innocent as it seems, although Rudolfo is equally complicit in hiding the key. Before that, the horseplay between the four Bohemians has been tingling with zest.Then the Café Momus of Act II is dazzling, with the interplay of a huge animated cast dominated by Ainhos Arteta’s sparklingly unpredictable Musetta. Marcello (Ludovic Tézier) joins Act III in the snow to sing in the memorable quartet, and the opera’s closing Act could not be more moving. Nicola Luisotti conducts Puccini’s greatest score with passion and much tenderness, and the recording projects the voices and orchestra with admirable realism. Altogether a triumph, and wonderfully enjoyable to watch and listen to.

The new DG recording on CD is the companion CD La Bohème for our time. The singing of the two stars, the glorious-voiced Anna Netrebko and the thrilling Rolando Villazón, is unforgettable. One needs to say little more, except that Nicole Cabell as Musetta and Boaz Daniel as Marcello are equally memorable, as is the vividly alive and expressive orchestral playing under Betrand de Billy. The recording has splendid reality and projection. The set comes in a handsome box with libretto.

为大都会歌剧院《波希米亚人》制作特别搭建的泽菲雷利舞台堪称非凡。这座布景多年来已承载三百余场演出，至今仍无出其右。当观众步入第二幕的街景舞台时，仿佛真实置身巴黎。歌剧院屋顶阁楼的启幕与终场同样摄人心魄，而第三幕的落雪场景更以惊人的实体感令人称绝。若歌剧布景总能如此写实，而非时常追随制作人那些与音乐毫无关联的荒诞奇想，该是何等幸事。安吉拉·乔治乌重返大都会参演本剧值得庆贺——她的演唱固然华美绝伦，但其咪咪角色的塑造已更臻成熟，尤其体现在与鲁道夫（拉蒙·瓦尔加斯饰，演唱同样炽烈）初遇的开幕戏中。显然这对恋人的邂逅并非表面那般纯真，尽管鲁道夫藏钥匙的举动同样暗藏心机。此前四位波希米亚人嬉闹的桥段更洋溢着蓬勃生机。第二幕的莫穆斯咖啡馆场景璀璨夺目，浩荡的演员群戏中，阿依诺阿·阿蕾塔诠释的缪塞塔以闪耀而难以捉摸的特质占据主导。马克罗（卢多维克·泰兹尔饰）在第三幕雪景中加入难忘的四重唱，终幕的感染力已达极致。指挥家尼古拉·路易索蒂以饱含激情与细腻的笔触驾驭普契尼最伟大的乐谱，录音工程更以惊人的真实感呈现人声与管弦乐。整体而言，这版制作堪称凯旋之作，视听体验皆令人沉醉。  

DG新发行的CD唱片堪称当代《波希米亚人》的标杆录音。两位巨星——拥有天籁嗓音的安娜·奈瑞贝科与极具爆发力的罗兰多·维拉宗——的演唱令人过耳难忘。妮可·卡贝尔演绎的缪塞塔与博阿兹·丹尼尔塑造的马克罗同样出色，伯特兰·德·比利棒下的乐团演绎更是鲜活生动。录音具有卓越的真实感与穿透力，精装盒内附剧本。


La Fanciulla del West (complete, CD version)  《西部女郎》
Decca (ADD) 421 595-2 (2). Tebaldi, Del Monaco, MacNeil, Tozzi, St Cecilia Ac., Rome, Ch. & O, Capuana

This is one of the most successful of all Tebaldi’s Puccini recordings for Decca. Here she gives one of her most warm-hearted and understanding performances on record, and Mario Del Monaco displays the wonderfully heroic quality of his voice to great – if sometimes tiring – effect. Cornell MacNeil as the villain, Sheriff Rance, sings with great precision and attack, but unfortunately lacks a villainous-sounding voice to convey the character fully. Jake Wallace’s entry and the song Che faranno i viecchi miei is one of the high spots of the recording, with Tozzi singing beautifully. Capuana’s expansive reading is matched by the imagination of the production, with the closing scene wonderfully effective in spectacular sound.

On DVD, Slatkin conducts a bitingly dramatic account of Puccini’s American opera with an understanding cast in Giancarlo del Monaco’s ultra-realistic production for the Met. in New York. In 1992, Sherrill Milnes was still an outstanding Rance, at once handsome and sinister, while Plácido Domingo is just as warmly expressive, both lyrical and heroic, as he is in the Covent Garden DVD of nine years earlier. As Minnie, the pretty and buxom Barbara Daniels with her bright, big soprano gives a characterful performance, even if her cheating in the poker game is no more convincing than usual. As Jake Wallace, the camp minstrel, Yanni Yannissis in his Act I solo is strong if a little tremulous. Bright, clear recording, bringing out the emotional tug behind Slatkin’s reading, powerfully so at the very end (DG 073 4023).

这是苔巴尔迪为DECCA录制的普契尼歌剧中最为成功的典范之一。她在此呈现了录音生涯中最温暖动人且富有洞察力的演绎，马里奥·德尔·莫纳科则极致展现了其嗓音的英雄气概——尽管偶尔略显声嘶力竭。康奈尔·麦克尼尔以精准凌厉的唱功诠释反派兰斯警长，可惜嗓音欠缺反派应有的阴鸷特质。杰克·华莱士的入场及咏叹调《我的老父们将如何》由托齐优美演绎，成为录音亮点之一。卡普阿纳宏大的解读与制作的想象力相得益彰，终幕在震撼音效中效果非凡。  

DVD版本中，斯拉特金指挥大都会歌剧院极具戏剧张力的《西部女郎》，詹卡洛·德尔·莫纳科的超写实制作搭配默契阵容。1992年的谢里尔·米尔恩斯仍是无可挑剔的兰斯，兼具英俊外貌与阴险气质，普拉西多·多明戈则如九年前科文特花园DVD版本般温暖动人，抒情与英雄气概并存。饰演明妮的芭芭拉·丹尼尔斯容貌甜美、体态丰腴，明亮宽厚的女高音赋予角色鲜明个性，尽管赌牌作弊的桥段依旧欠缺说服力。游吟歌手杰克·华莱士由雅尼·雅尼西斯演绎，第一幕独唱刚劲有力但稍显颤音。明亮的录音凸显斯拉特金诠释中的情感张力，终幕尤具冲击力（DG 073 4023）。
（源于DeepSeek翻译）

DVD：
https://115cdn.com/s/swwd81o3hq9?password=3377&#
Puccini - La Fanciulla del West - Leonard Slatkin, Metropolitan Opera; Daniels, Domingo, Milnes [DVD9]等3个文件(夹)
Anna Netrebko出演的《波西米亚人》出了蓝光

CD：
https://115cdn.com/s/swwd8rm3hq9?password=3377&#
Puccini - The Great Opera Collection [DECCA]等3个文件(夹)

joseph_li

Madama Butterfly (complete, CD version) 《蝴蝶夫人》
EMI 216487-2 (2). Gheorghiu, Kaufmann, Shkosa, Capitanucci, St Cecilia Ch. & O, Pappano

The linking in Puccini of the leading soprano, Angela Gheorgiu, and EMI’s star opera conductor, Antonio Pappano, makes for a resounding success. Pappano’s natural feeling for the phrasing and dynamic shading of Puccini’s great melodies is here enhanced by having an Italian chorus and orchestra, the St Cecilia forces of which Pappano is chief conductor. They follow his every nuance, and the wide-ranging recording brings out the subtlety of so many pianissimos which in earlier recordings came out as mezzofortes. Butterfly’s first entry from afar in Act 1 is ravishing. The moment when Butterfly through her telescope identifies Pinkerton’s ship returning is all the more overwhelming, while the passion of the great climaxes both in the love duet of Act 1 and in the tragic suicide aria of the closing pages underpins the superb singing of Gheorghiu. This may not be a role which she would ever take live on stage, at least not in a large opera-house, but, intelligent singer that she is, she has plainly thought through the role, bringing out emotional details from full-throated passion to tender expressiveness. Her vehemence in rebutting Sharpless’s hints at Pinkerton’s infidelity are as moving as her tenderness in so much of her singing, and the great aria, Un bel dì, has rarely been so richly or securely sung in a complete Butterfly, when too many divas are not quite steady under pressure.

Gheorghiu is well-matched with the Pinkerton of Jonas Kaufmann, equally secure and well focused. His may not be a very Italianate tenor-tone, but he seems totally comfortable in the Italian text and, like Gheorghiu, brings out many detailed subtleties. The firm Sharpless of Fabio Capitanucci and the well-balanced Suzuki of Enkelejda Shkosa add to the success of the set. With its refined digital recording it stands as an excellent first choice in a very competitive field.

普契尼歌剧女皇安吉拉·乔治乌与EMI当家指挥安东尼奥·帕帕诺的黄金组合缔造了这版辉煌的《蝴蝶夫人》。帕帕诺对普契尼旋律线条与力度层次的天然感悟力，因执棒其担任首席指挥的圣切契利亚管弦乐团而更显精妙——这支意大利乐团精准捕捉他每个细微处理。宽广的动态录音还原了无数弱音细节（过往录音常将其处理为中强力度），第一幕蝴蝶夫人自远处飘然而至的登场令人心醉。望远镜中认出平克顿军舰归来的瞬间极具冲击力，无论是第一幕爱情二重唱还是终场自杀咏叹调的情感爆发，皆因乔治乌的顶级演唱而震撼人心。虽非其舞台常演角色（至少非大剧院规模），这位智慧的歌者仍通过全情投入的演绎，将角色从炽烈到柔情的情绪层次悉数呈现：她驳斥夏普勒斯暗示平克顿负心时的激烈，与咏唱中的细腻温柔同样动人。经典咏叹调《晴朗的一天》在全集录音中罕有如此丰润稳定的演绎——太多女高音在高压演唱时难以保持音准。

乔治乌与乔纳斯·考夫曼饰演的平克顿堪称珠联璧合。考夫曼虽非典型意大利式男高音，却将意语台词诠释得游刃有余，并与乔治乌同样注重细节雕琢。法比奥·卡皮托努奇沉稳的夏普勒斯与恩克列达·什科萨层次分明的铃木，共同成就了这套杰作。精良的数字录音使其在激烈竞争中脱颖而出，成为首选推荐。


Manon Lescaut (complete, DVD version)  《曼侬·莱斯科》
EMI DVD 2 17420 9. Mattila, Giordani, Croft, Travis, Met. Op. Ch. & O, Levine (Stage Director: Gina Lapinsky; V/D: Brian Large)

Whether in the very realistic opening Amiens inn scene or in Geronte’s sumptuous apartment in Act II, the Met. production is characteristically spectacular, with superb costumes to match the sets, while the deportation in Act III is frighteningly realistic. The only let-down is the American wasteland of Act IV, which always seems an unrealistic ending, but that is Puccini’s miscalculation, not the Met.’s. Karita Mattila is a beautiful Manon, but we see her age as the opera progresses. She sings very affectingly indeed and is matched by the ardent Des Grieux of Marcello Giordani, with a tenor voice of comparably rich quality. Dale Travis makes a splendidly unlikeable Geronte. James Levine conducts with a flowing, passionate lyricism; indeed, the performance of the famous Intermezzo is an unforgettably passionate highlight. Very good sound completes this DVD’s many virtues.

James Levine again conducts a very desirable CD version of this opera. With Luciano Pavarotti as a powerful Des Grieux, Levine brings out all the red-blooded drama of Puccini’s first big success, while not ignoring the warmth and tender poetry. Pavarotti tackles his little opening aria, Tra voi belle, with a beefy bravado that misses the subtlety and point of Domingo, for example. But then he characteristically points word-meaning with a bright-eyed intensity that compels attention, and there is little harm in having as passionate a portrait of Des Grieux as Pavarotti’s. The rest of the cast is strong too, with Dwayne Croft a magnificent Lescaut who brings out the character with wry humour. The veteran Giuseppe Taddei is superbly cast as Geronte, very characterful and still full-throated, while Cecilia Bartoli makes the unnamed singer in the Act II entertainment into far more than a cipher (Decca 440 200-2 (2)).

无论第一幕逼真的亚眠小酒馆还是第二幕杰隆特奢华公寓，大都会制作皆以标志性壮观场景匹配华美戏服，第三幕流放场景更以骇人真实感取胜。唯第四幕美洲荒原的结局略显失真——此乃普契尼剧本之失，非制作之过。卡丽塔·玛蒂拉塑造了美丽的曼侬，其容颜随剧情渐显沧桑。她感人至深的演唱与马尔切洛·焦尔达尼激情洋溢的德·格里欧交相辉映，后者醇厚的男高音堪称绝配。戴尔·特拉维斯将惹人厌的杰隆特演绎得淋漓尽致。詹姆斯·莱文以流动的抒情激情执棒，著名的间奏曲演绎成为难忘高潮。优质音效为此DVD锦上添花。  

莱文指挥的CD版本同样不可多得（DECCA 440 200-2 (2)）。帕瓦罗蒂以磅礴声线诠释德·格里欧，莱文既突显普契尼首部大作的炽烈戏剧性，亦未忽视其温暖诗意。帕瓦罗蒂以豪放风格处理开场咏叹调《在你们美丽姑娘中间》，虽不及多明戈精妙，但其字句诠释的锐利感染力仍极具说服力——如此浓烈的德·格里欧形象本就可圈可点。德韦恩·克罗夫特以诙谐笔触塑造出鲜活的莱斯科，老将朱塞佩·塔代伊嗓音浑厚地将杰隆特演活，而塞西莉亚·巴托莉更将第二幕无名歌女唱段提升至超越符号的存在。


DVD：
https://115cdn.com/s/swwd8rx3hq9?password=3377&#
Puccini - Manon Lescaut - James Levine, Metropolitan Opera; Mattila, Giordani, Croft [DVD9]

CD：
https://115cdn.com/s/swwd8rj3hq9?password=3377&#
Puccini - Madama Butterfly - Antonio Pappano, Orchestra of National Academy of Santa Cecilia; Gheorghiu, Kaufmann [EMI]等2个文件(夹)

joseph_li

La Rondine (complete, DVD version)  《燕子》
EMI DVD 6 31618-9. Alagna, Gheorghiu, Brenciu, Oropesa, Ramey, Met. Op. Ch. & O, Armiliato (Director: Brian Large)
(i–iii) La Rondine (complete); (i; iii) Le Villi: Prelude; L’abbandono; La tregenda; Ecco la casa … Torna al felice; (i; iv) Song: Morire? (CD version)
EMI 6 40738-2 (2). (i) Alagna; (ii) Gheorghiu, Mula-Tchako, Matteuzzi, Rinaldi; (iii) L. Voices, LSO, Pappano; (iv) Pappano (piano)

It seems remarkable that EMI should have issued so close to each other two separate recordings, both with Gheorghiu and Alagna, of Puccini’s little-known but delightfully tuneful opera. The first performance has the advantage of Pappano’s conducting, with his ability to transform the work with his natural feeling for Puccini. But Marco Armiliato directs the Met. production sensitively and with hardly less lyrical warmth and vividness. Moreover the Metropolitan Opera sets are wonderfully elegant. The partnership of Gheorghiu, most moving in the Violetta-like role of the heroine, Magda, and Alagna as the stranger she falls in love with, brings ardently beautiful singing from both artists, and their passion, expressed both tenderly and passionately, is, if anything, finer, more mature in the second, live, Metropolitan Opera set. Consistently, Gheorghiu makes you share the courtesan’s wild dream of finding her young student lover. As Ruggero, the hero, Alagna winningly characterizes in his freshest voice. What will especially delight Puccinians in both sets is that he is given an extra aria about Paris, Parigi e un citta, which transforms his otherwise minimal contribution in Act I. The role of the poet, Prunier, is also memorable, thanks to the casting of the clear-toned William Matteuzzi on CD in what is normally a comprimario role. But Marius Brenciu on the DVD gives an attractively dapper characterization of this elusive character; while, under Pappano, Inva Mula-Tchako is well cast in the soubrette role of Lisette, bright, clear and vivacious, Lisette Oropesa at the Met. all but steals the part with her humour and charm. In the third Act Gheorghiu and Alagna put a seal on their Met. performance, wonderfully touching, when they have to make their final farewell, and their singing is totally memorable. The earlier set, however, adds excerpts from Le Villi, warm and dramatic, including two orchestral showpieces. Alagna also gives a ringing account of Roberto’s aria, as he does of the song, Morire? (with Pappano at the piano), the source of the extra aria for Ruggero included in the main opera.

EMI近乎同期发行两版由乔治乌与阿兰尼亚联袂演绎的普契尼冷门歌剧实属难得——这部作品旋律优美却鲜为人知。首版录音的优势在于帕帕诺的指挥，他以对普契尼天然的感悟力重塑全剧。而马尔科·阿尔米利亚托执棒的大都会制作同样细腻，抒情暖意与生动性毫不逊色。大都会歌剧院的布景更是极致典雅。乔治乌将薇奥莱塔式的女主角玛格达演绎得感人至深，阿兰尼亚则完美诠释她爱上的陌生青年，二人迸发的炽热咏唱堪称绝美，其柔情与激情交织的表演在大都会现场版中更显成熟精湛。乔治乌始终让观众共情于这位交际花追寻年轻学生恋人的痴梦，阿兰尼亚以清亮嗓音成功塑造了男主角鲁杰罗。两版录音中特别令普契尼乐迷欣喜的是，阿兰尼亚演唱了关于巴黎的增补咏叹调《巴黎是座城》，彻底改变了第一幕原本单薄的角色分量。诗人普律尼埃一角同样令人难忘：CD版中音色清澈的威廉·马特乌齐将这个次要角色提升至新高度，而DVD版马里乌斯·布伦丘则以潇洒气质精准拿捏角色神韵。帕帕诺棒下，因瓦·穆拉-恰科将侍女莉塞特活泼明亮的性格诠释得恰到好处，而大都会版的莉塞特·奥罗佩萨更以幽默魅力几乎抢尽风头。第三幕中乔治乌与阿兰尼亚的诀别场景将大都会版推向高潮，其动人演唱永驻心间。早期录音版额外收录《群妖围舞》选段，包含两首管弦炫技曲目，阿兰尼亚还激情演绎了罗伯托的咏叹调及歌曲《赴死？》（帕帕诺钢琴伴奏），后者正是剧中鲁杰罗增补咏叹调的来源。


Tosca (complete, CD version) 《托斯卡》
EMI mono 5 62890-2 (2). Callas, Di Stefano, Gobbi, Calabrese, La Scala, Milan, Ch. & O, De Sabata

There has never been a finer recording of Tosca than Callas’s first with Victor de Sabata conducting and Tito Gobbi as Scarpia. He makes the unbelievably villainous police chief into a genuine three-dimensional character, and Di Stefano, as the hero Cavaradossi was at his finest. The conducting of De Sabata is spaciously lyrical as well as sharply dramatic, and Walter Legge’s mono recording is superbly balanced. The new transfer brings enhanced sound that could almost be stereo, with the voices caught gloriously, and the mid-priced set includes a full libretto and translation.

However, Callas had a stereo successor in Gheorghiu (in partnership with Pappano) and her singing is also very compelling: she constantly sheds new light on one phrase after another. And her performance includes an account of the aria Vissi d’arte of velvet beauty. Gheorghu’s is undoubtedly another great performance significantly expanding on what we already know of her, as magnetic as Callas, rich and beautiful as well as dramatic (EMI 5 85644-2).

卡拉斯与维克多·德·萨巴塔指挥、蒂托·戈比饰演斯卡皮亚的《托斯卡》至今仍是无可超越的经典。戈比将令人发指的警长塑造成立体真实的角色，迪·斯特凡诺则处于嗓音巅峰期，完美诠释英雄卡瓦拉多西。德·萨巴塔的指挥兼具恢弘抒情性与锐利戏剧感，沃尔特·里格的单声道录音平衡绝佳。新版转录技术大幅提升音质，几近立体声效果，人声捕捉辉煌壮丽，中价版套装含完整剧本及译文。

然而卡拉斯之后，乔治乌与帕帕诺合作的立体声版本同样震撼：她不断为每个乐句注入新解，其中《为艺术为爱情》的演绎如天鹅绒般华美。这无疑是一次重大突破的演绎——如卡拉斯般摄人心魄，兼具丰润美感与戏剧张力（EMI 5 85644-2）。

DVD：
https://115cdn.com/s/swwd8033hq9?password=3377&#
Puccini - La Rondine - Marco Armiliato, Metropolitan Opera; Alagna, Gheorghiu, Brenciu [DVD9]

CD：
https://115cdn.com/s/swwd8cn3hq9?password=3377&#
Puccini - La Rondine - Antonio Pappano, LSO; Gheorghiu, Alagn, Matteuzzi [EMI]等3个文件(夹)
原文碟号出错，EMI 5 85644-2还是卡拉斯版。

joseph_li

Il Trittico: (i) Il Tabarro; (ii) Suor Angelica; (iii) Gianni Schicchi (CD version)  《三联剧》：(i) 《外套》(ii) 《修女安杰莉卡》(iii) 《贾尼·斯基基》
EMI 5 565 872-2 (3). (i; iii) Gheorghiu, Alagna; (i) Guelfi, Guleghina, Shicoff; (ii) Gallardo-Domâs, Manca di Nissa; (ii–iii) Palmer; (iii) Van Dam, Roni; (i–ii) L. Voices; (ii) Tiffin Boys’ Ch.; (i; iii) LSO; (ii) Philh. O; Pappano

No previous recordings of the three one-Acters in Puccini’s triptych bring quite such warmth or beauty or so powerful a drawing of the contrasts between each – in turn Grand Guignol melodrama, pure sentiment and high comedy. Pacing each opera masterfully, Pappano heightens emotions fearlessly to produce at key moments the authentic gulp-in-the-throat, whether for the cuckolded barge master, Michele, for Sister Angelica in her agonized suicide and heavenly absolution, or for the resolution of young love at the end of Gianni Schicchi.

Angela Gheorghiu and Roberto Alagna, as well as making a tiny cameo appearance in Il Tabarro as the off-stage departing lovers, sing radiantly as Lauretta and Rinuccio in Gianni Schicchi, with the happy ending most tenderly done. Maria Guleghina, well known for her fine Tosca, makes a warm, vibrant Giorgetta, and the touch of acid at the top of the voice adds character. Even more remarkable is the singing of the young Chilean soprano, Cristina Gallardo-Domâs as Sister Angelica. This is a younger, more tender, more vulnerable Angelica than usual, the dynamic shading brings pianissimos of breathtaking delicacy, not least in floated top-notes. The casting in the middle opera is as near flawless as could be. The Zia Principessa is sung with chilling power by Bernadette Manca di Nissa, her tone firm and even throughout. Felicity Palmer with her tangy mezzo tone is well contrasted as the Abbess. And she is just as characterful as the crabby Zita in Gianni Schicchi. Among the men, Carlo Guelfi makes a superb Michele in Il Tabarro, incisive, dark and virile. Neil Shicoff makes a fine Luigi, his nervy tenor tone adding character. As Gianni Schicchi, José Van Dam is in fine voice, with his clean focus bringing out the sardonic side of Schicchi, and his top Gs wonderfully strong and steady still. The recording is comfortingly sumptuous and atmospheric, very wide in dynamic range, with magical off-stage effects.

Warner provide a recommendable DVD of a traditional production of this opera from La Scala. Piero Cappuccilli as the barge master is well supported by the believably hard-voiced Sylvia Sass as Giorgetta, and the melodrama is brought off effectively. In the title-role of Suor Angelica, Rosalind Plowright is at her finest, both vocally and when commanding our sympathy; Dunja Vejzovic’s Princess is not as intimidating as she should be, but she sings well enough. The set for Gianni Schicchi is unrealistically spacious but Cecilia Gasdia is a rich-voiced Lauretta and, at the centre of the story, Juan Pons is a firm and believable Schicchi, although the staging of his final solo as a devil from hell is totally misguided in just the way that producers refuse to let well alone. But the veteran Gianandrea Gavazzeni conducts throughout with vitality and warmth, and altogether this has much to offer (Warner 5050467 0943-2).

普契尼这部三幕歌剧的过往录音，从未如此完美地呈现各剧之间的强烈对比——黑色惊悚剧、纯粹抒情剧与荒诞喜剧——同时又赋予它们同等的温暖与美感。帕帕诺以大师级的节奏把控，在每部剧的关键时刻将情感推向极致：无论是戴绿帽的船主米凯莱的爆发、修女安杰莉卡痛苦自杀后获得天赦的瞬间，还是《贾尼·斯基基》结尾年轻恋人终成眷属的温情时刻，都令人喉头哽咽。

安吉拉·乔治乌与罗伯托·阿兰尼亚除在《外套》中客串远去的恋人外，更在《贾尼·斯基基》中光芒四射地演绎劳蕾塔与里努乔，将幸福结局诠释得柔情似水。以托斯卡闻名的玛丽亚·古列吉娜，以温暖饱满的嗓音塑造了鲜活焦尔杰塔，高音区的一丝锐利更添角色棱角。智利女高音克里斯蒂娜·加利亚尔多马斯演绎的安杰莉卡尤为惊艳——比传统诠释更年轻、脆弱而柔美，弱音处理细腻到令人屏息，尤其飘渺的高音堪称绝唱。中剧《修女安杰莉卡》的选角近乎完美：贝尔纳黛特·曼卡·迪·尼萨以冷峻威严的嗓音诠释亲王嬷嬷，费莉西蒂·帕尔默用沙哑的女中音塑造出威严的修道院长，到了《贾尼·斯基基》中又化身刻薄的齐塔。男声中，卡洛·圭尔菲以锋利、阴暗而阳刚的嗓音成就了教科书级的米凯莱；尼尔·希科夫的神经质男高音为路易吉注入灵魂；何塞·范·达姆饰演的贾尼·斯基基嗓音状态绝佳，精准的咬字凸显角色讥诮本色，高音G依旧稳如磐石。录音动态恢弘，空间感惊人，幕后音效更添魔幻色彩。

华纳发行的斯卡拉歌剧院传统制作DVD同样值得推荐（Warner 5050467 0943-2）。皮耶罗·卡普契利饰演的船主与西尔维娅·萨斯粗粝嗓音塑造的焦尔杰塔相得益彰，黑色剧情张力十足。罗莎琳德·普劳莱特献演生涯最佳《修女安杰莉卡》，唱演俱佳；杜尼亚·韦伊佐维克的亲王嬷嬷威慑力稍逊但演唱达标。《贾尼·斯基基》布景过于宽敞，但塞西莉亚·加斯迪亚醇厚的劳蕾塔与胡安·庞斯扎实的斯基基撑起全场——尽管制作人将斯基基终场独白处理成地狱恶魔的创意堪称败笔。老牌指挥贾南德雷亚·加瓦泽尼以饱满激情统御全场，整体仍具观赏价值。


Turandot (complete, DVD version) 《图兰朵》
TDK DVD DVWW-CLOPTUR. Marton, Carreras, Ricciarelli, V. Sängerknaben, V. State Op. Ch. & O, Maazel (Director: Harold Prince; V/D: Rodney Greenberg)
Turandot (complete, CD version)
Decca (ADD) 414 274-2 (2). Sutherland, Pavarotti, Caballé, Pears, Ghiaurov, Alldis Ch., Wandsworth School Boys’ Ch., LPO, Mehta

Maazel’s spectacular 1983 Vienna State Opera version, recorded live, is outstanding in every way and is unlikely to be surpassed by modern versions (although Chen Kaige’s extravagant, stylized ‘Chinese’ version on Unitel, with Maria Guleghina very impressive in the title-role, has been highly praised elsewhere). But the Vienna State Opera set also has splendidly vivid oriental costumes, using masks on the chorus and most of the principal characters. Indeed it is exotically telling, with the set equally theatrical, its central staircase ideal for the enormously compelling scene where Turandot (Eva Marton) asks the three questions and José Carreras replies, with just the right degree of hesitation to keep the tension high. Marton was surely born to take the part of the heroine, singing with great power, and conveying her final change of heart most believably. Carreras also sings gloriously, creating the role of Calaf as both heroic and warmly sympathetic. Katia Ricciarelli is a very touching Liù, her voice creamily beautiful, and Ping, Pang and Pong (again exotically costumed and masked) bring an almost Gilbertian touch to their bizarre charcterizations. The Vienna State Opera Chorus sing gloriously in the big scenes and the orchestra play with the utmost vividness under Maazel’s thrilling direction. Very highly recommended.

Joan Sutherland gives an intensely revealing interpretation, making the icy princess far more human and sympathetic than ever before, while Pavarotti gives a performance equally imaginative, beautiful in sound, strong on detail. To set Caballé (as Liú) against Sutherland was a daring idea, and it works superbly well; Pears as the Emperor is another choice that works surprisingly well. Mehta directs a gloriously rich and dramatic performance, superlatively recorded, still the best-sounding Turandot on CD.

马泽尔1983年指挥维也纳国家歌剧院的现场录制版堪称空前绝后（尽管陈凯歌执导、玛丽亚·古列吉娜主演的Unitel版在其他媒体广受赞誉）。维也纳版以绚丽的东方戏服、合唱团与主演的面具营造出浓郁的异域风情，旋转阶梯式布景完美呈现"猜谜"场景的戏剧张力——伊娃·马顿饰演的图兰朵以雷霆嗓音震慑全场，何塞·卡雷拉斯饰演的卡拉夫则通过恰到好处的犹疑保持悬念。马顿简直是为此角而生，将公主最后的转变演绎得令人信服；卡雷拉斯的演唱兼具英雄气概与人性温暖；卡蒂娅·里恰雷利奶油般丝滑的嗓音将柳儿塑造得催人泪下；平庞彭三人组荒诞夸张的表演更添吉尔伯特式喜感。维也纳国家歌剧院合唱团在宏大场景中爆发惊人能量，马泽尔棒下的乐团演绎堪称教科书级。强烈推荐。

琼·萨瑟兰的录音版彻底颠覆了冰雪公主的形象，赋予角色前所未有的人性温度；帕瓦罗蒂的卡拉夫同样充满想象力与美感。将卡芭耶（柳儿）与萨瑟兰对垒是大胆而成功的创意，皮尔斯饰演的皇帝也意外地合适。梅塔指挥的这版演绎辉煌壮丽，录音效果至今仍是CD介质中的《图兰朵》音质标杆。


DVD：
https://115cdn.com/s/swwd80b3hq9?password=3377&#
Puccini - Turandot - Zubin Mehta, Valencian Community Orchestra; Guleghina, Voulgaridou, Berti [Blu-ray 2008]等2个文件(夹)

CD：
https://115cdn.com/s/swwd80w3hq9?password=3377&#
Puccini - Il Trittico (Il Tabarro, Suor Angelica, Gianni Schicchi) - Antonio Pappano; Alagna Gheorgiu Van Dam [EMI]等3个文件(夹)

joseph_li

以下几个视频分享被5盘判定含违规内容，若视频文件不完整，可以在5盘用以下磁链秒离。


Puccini - La Rondine - Marco Armiliato, Metropolitan Opera; Alagna, Gheorghiu, Brenciu [DVD9]：

magnet:?xt=urn:btih:FF6434B6AAA4F20BEA8E6F38913A928D7B6B13B1


Puccini - Turandot - Zubin Mehta, Valencian Community Orchestra; Guleghina, Voulgaridou, Berti [Blu-ray 2008]：

magnet:?xt=urn:btih:606840BA37EB60FEF9D3FE66F383196D202C334A


Puccini - Il Trittico - Gianandrea Gavazzeni, La Scala; Cappuccilli, Plowright, Pons [DVD9]：

magnet:?xt=urn:btih:7ED11DB3E8A98795DCEAC7B023C9BB79FD1F4274