Penguin Guide to 1000 Finest Classical Recordings - Must-Have CDs and DVDs

joseph_li

ARNE, Thomas (1710–78)
8 Overtures (1751); Overtures: Alfred; Thomas and Sally
Chan. 0722. Col. Mus. 90, Standage

Thomas Arne, the composer of Rule Britannia, was a highly active composer for the theatre, owing in part to his Catholic religion which precluded him from posts in the church. He had a flair for writing simple, attractive melody, and his set of Eight Overtures, published in 1751, was an attempt to broaden his appeal through a series of separate publications. The invention is tuneful and elegant, cosmopolitan in style; they also have a certain eighteenth-century English pastoral spirit which is very refreshing. The two theatre overtures make for equally enjoyable listening, with the Scottish Gavotte of Thomas and Sally adding a dash of ‘local’ colour. Very stylish and alert playing from Simon Standage and Collegium Musicum 90, and the sound is vivid and full. An unexpectedly distinctive and enjoyable collection, easy to live with.

托马斯·阿恩（《不列颠万岁》的作曲家）是剧院音乐的杰出创作者，其天主教信仰使他无法担任教堂职位，反而令他在戏剧领域大放异彩。他擅长谱写简洁动人的旋律，1751年出版的《八首序曲集》正是通过独立刊印的曲谱系列来扩大影响力的尝试。这些作品旋律精巧优雅，风格兼容并蓄，同时蕴含18世纪英格兰田园特有的清新气质。另两首剧院序曲同样令人愉悦，其中《托马斯与莎莉》的苏格兰加沃特舞曲更添一抹“本土”风情。西蒙·斯坦达奇与科勒吉姆音乐90乐团的演绎风格鲜明、灵动跃动，录音效果亦饱满生动。这套曲集出乎意料地独具魅力，耐听易赏，令人回味无穷。  
（源于DeepSeek翻译）
《统治吧不列颠尼亚》的作曲家托马斯·阿恩是一位非常活跃的戏剧作曲家，部分原因是他的天主教信仰使他无法在教会任职。他擅长创作简洁动听的旋律，而他于1751年出版的《八首序曲》系列作品正是他试图通过一系列独立出版物来提升影响力的尝试。这套作品旋律优美优雅，风格国际化；同时还带有一种令人耳目一新的十八世纪英国田园风情。两首戏剧序曲同样令人愉悦，而托马斯和萨莉的苏格兰加沃特舞曲则增添了一丝“本土”色彩。西蒙·斯坦迪奇和Collegium Musicum 90乐团的演奏风格时尚、灵动，音色生动饱满。这是一张出乎意料的独特而动听的合辑，易于欣赏。
（源于Google翻译）
把两种翻译对比一下，

https://115cdn.com/s/swwf1xo3hq9?password=3377&#
Arne, Thomas - Overtures - Simon Standage, Collegium Musicum 90 [Chandos 24-96]

joseph_li

帖子又被卡住要审核了，以这个速度，没个一年半载发不完，

xzmumaren

joseph_li 发表于 2025-5-30 12:08
帖子又被卡住要审核了，以这个速度，没个一年半载发不完，

楼主辛苦了

qinyanyi

joseph_li 发表于 2025-5-30 10:16
ANSERMET, Ernest, with the Suisse Romande Orchestra
‘Ouvertures Françaises’: LALO: Le Roi d ...

Famous French Overtures_Ernest Ansermet 2009 4800023
https://***.com/s/1mOXcogTUn5oLuXYpdabA8w?pwd=2025

joseph_li

qinyanyi 发表于 2025-5-30 12:54
Famous French Overtures_Ernest Ansermet 2009 4800023
https://***.com/s/1mOXcogTUn5oLuXYpdabA8w?pw ...

感谢分享。

xunianfeng

joseph_li 发表于 2025-5-30 11:48
ARENSKY, Anton (1861–1906)
(i) Piano Concerto in F min., Op. 2; Fantasia on Russian Folksongs. To  ...

https://115cdn.com/s/swwfcie3w0i?password=v174&#
Arensky, A. -  Piano Concerto  Ryabinin Fantasia  To the Memory of Suvorov  Symphonic Scherzo
访问码：v174

joseph_li

xunianfeng 发表于 2025-5-30 13:51
https://115cdn.com/s/swwfcie3w0i?password=v174&#
Arensky, A. -  Piano Concerto  Ryabinin Fantasia ...

感谢分享。众人拾柴火焰高，这个帖子成抛砖引玉之地了，

joseph_li

ARNOLD, Malcolm (1921–2006)
Anniversary Overture, Op. 99; Beckus the Dandipratt (Comedy Overture), Op. 5; The Fair Field, Op. 110; A Flourish for Orchestra, Op. 112; A Grand Grand Festival Overture, Op. 57; Peterloo Overture, Op. 97; Robert Kett Overture, Op. 141; The Smoke, Op. 21; A Sussex Overture, Op. 31; Tam O’Shanter Overture, Op. 51
Chan. 10293. BBC PO, Rumon Gamba

Arnold was master of the short orchestral form, his English Dances being a supreme example. However, he wrote a series of strikingly attractive overtures, which have been gathered together on this mightily impressive Chandos recording. Beckus the Dandipratt came first in 1943, possibly something of an uninhibited self-portrait. Tam O’Shanter is another flamboyant portrayal, with a spectacular realization of bagpipes at its witty climax. A Grand Grand Festival Overture came a year later. The scoring included four vacuum cleaners and a floor polisher. (On the night of its première, they were dispatched by the rifles of a firing squad!) But this is far more than an occasional piece, not least because it has a really good tune. The noisily dramatic Peterloo also has one – but then, so have all the other works here. They are marvellously played, with a truly Arnoldian infectious exhilaration, and the Chandos recording is in the demonstration bracket.

阿诺德是短管弦乐的大师，他的《英国舞曲》堪称典范。然而，他还创作了一系列引人入胜的序曲，这些序曲汇集在这张令人印象深刻的钱多斯录音中。《丹迪普拉特的贝库斯》首先创作于1943年，或许可以算作一幅奔放的自画像。《塔姆·奥尚特》是另一个华丽的描绘，在其诙谐的高潮部分，风笛的演奏精彩绝伦。一年后，《盛大节日序曲》问世。配乐包括四台吸尘器和一台地板抛光机。（在首演之夜，它们被行刑队的步枪射杀了！）但这远非偶然，尤其因为它的旋律优美。喧闹而戏剧化的《彼得卢》也有这样的旋律——不过，这里的其他作品也都如此。它们的演奏精彩绝伦，带有真正阿诺德式的感染力和兴奋感，而Chandos的录音则被收录在示范曲目中。
（源于Google翻译）

https://115cdn.com/s/swwf0pw3hq9?password=3377&#
Arnold, Malcolm - Overtures - Rumon Gamba, BBC PO [Chandos 24-96]

joseph_li

(i; ii) Double Piano Concerto (three hands); (iii) English Dances 3 & 5; (iv) Beckus the Dandipratt: Overture; (i) Peterloo: Overture; (v) Solitaire; Symphonies: 1; (iv) 2; (i) 5; (iii) Tam O’Shanter
EMI mono/stereo 3 82146-2 (2). (i) CBSO; (ii) Cyril Smith, Phyllis Sellick (piano duo, 3 hands); (iii) Philh. 0; (iv) RPO; (v) Bournemouth SO; all cond. composer

Sir Malcolm Arnold was the finest of the twentieth-century English composers who suffered from the destructive era of atonalism, the weird experimentation of Stockhausen, and the music of Boulez and his followers, which failed to communicate with the ordinary music-lover. Melody became unfashionable and traditional writing, however original, fell completely by the wayside. Arnold was a natural melodist and musical communicator and, while he survived by writing film scores, his serious works gradually became unfashionable and absent from the concert hall. But fortunately much of his music has survived on record (including the remarkable symphonies).

He was a brilliant advocate of his own works, revealing their emotional depth but also their passages of electrifying exuberance. Symphonies 1, 2 and 5 are just three of the treasures in this superb compilation, which brings together all the recordings Arnold made for EMI. Beckus the Dandipratt is a deliciously light-hearted characterization hailed as a cross between Strauss’s Till and Walton’s Scapino. Tam O’Shanter is another flamboyant portrayal. The Concerto for Two Pianos ends with a delightfully infectious rumba, full of cross-rhythms. No Arnold collection captures his special magic quite as compellingly as this.

马尔科姆·阿诺德爵士是二十世纪英国最杰出的作曲家之一，他饱受无调性主义的毁灭性时代、斯托克豪森的怪诞实验以及布列兹及其追随者的音乐的摧残，这些音乐无法与普通音乐爱好者产生共鸣。旋律变得不再流行，传统的写作方式，无论多么独创，也完全被抛在了一边。阿诺德是一位天生的旋律家和音乐传播者，虽然他靠创作电影配乐维持生计，但他的严肃作品却逐渐变得冷漠，从音乐厅中销声匿迹。幸运的是，他的大部分作品（包括那些非凡的交响曲）都以唱片的形式流传了下来。

他是一位杰出的乐手，不仅展现了自己作品的情感深度，也展现了其中令人振奋的活力段落。第一、第二和第五交响曲只是这张精湛合辑中的三首珍品，这张合辑汇集了阿诺德为EMI唱片公司录制的所有唱片。丹迪普拉特的贝库斯（Beckus the Dandipratt）是一个轻松愉快的人物，被誉为施特劳斯笔下的蒂尔（Till）和沃尔顿笔下的斯卡皮诺（Scapino）的结合体。塔姆·奥尚特（Tam O’Shanter）是另一个华丽的人物。《双钢琴协奏曲》以一段充满交叉节奏、令人愉悦的伦巴舞曲收尾。阿诺德没有哪张专辑能像这张专辑一样，如此引人入胜地捕捉到他独特的魅力。

4 Cornish Dances; 8 English Dances, Sets 1 & 2; 4 Irish Dances; 4 Scottish Dances; 4 Welsh Dances
Naxos 8.553526. Queensland SO, Penny

This disc was an early Naxos success and enjoys the inclusion of all six sets of the dances which are among Arnold’s most spontaneous and attractive shorter works. The cheerful, tuneful ebullience of the masterly English Dances came first in 1950 51 and the others followed on, with wide changes of mood to continually capture the ear. The performances have the composer’s imprimatur (he was present at the recording sessions) and can be recommended as an ideal representation of Arnold’s spontaneous orchestral writing.

这张唱片是Naxos早期的成功之作，收录了阿诺德所有六套舞曲，这些舞曲是他最具即兴发挥、引人入胜的短篇作品之一。1950-51年，《英国舞曲》以其欢快、优美的旋律首次问世，其他作品也相继问世，情绪变化丰富，不断抓住听众的耳朵。这些演出都得到了作曲家的认可（作曲家本人也参与了录音），堪称阿诺德即兴发挥的管弦乐作品的理想代表。（源于Google翻译）

这两张我都没找到，封面分别如下。本来想着不发没找到的，但是想到论坛里藏龙卧虎，尝试发了几个，果然都找到了，不服不行啊。实在找不到，就当欣赏评鉴吧。

joseph_li

AUBER, Daniel (1782–1871)
Overtures: Le Domino noir; Le Cheval de bronze; Crown Diamonds; Fra Diavolo; Masaniello
Australian Decca Eloquence (ADD) 480 2385 (2). Paris Conservatoire o, Wolff (see also under the conductor: WOLFF, Albert)

Auber had the knack of writing catchy tunes and he stuffed the best of them into his superbly crafted overtures. Take The Crown Diamonds, for example – after a long string cantilena, Auber gives the first section of the Allegro over to brass and woodwind, and a delicious effect his scoring makes. Fra Diavolo, with its side-drum introduction followed by a dainty tune on the violins before moving on to the vivacious militaristic aspects of the score, is as enjoyable as any of the overtures by Rossini. Each of these works is hugely enjoyable.

奥贝尔擅长创作朗朗上口的旋律，并将其中的精华融入他精湛的序曲之中。以《皇冠钻石》为例——在一段长长的弦乐轻快吟唱之后，奥贝尔将快板的第一部分交由铜管和木管演奏，他的配乐营造出美妙的效果。《魔鬼修士》以侧鼓引子，随后是一段优美的小提琴旋律，最后过渡到乐谱中充满活力的军事风格，其优美程度不亚于罗西尼的任何一部序曲。这些作品每一部都令人赏心悦目。
（源于Google翻译）

这张雄辩系列的碟还是没找到，只找到了LP转的24-192高码格式




https://115cdn.com/s/swwf0cv3hq9?password=3377&#
Albert Wolff & PCO – Overtures In Hi-Fi [DECCA 24-192]

joseph_li

BACH, Carl Philipp Emanuel (1714–88)
Cello Concertos: in A min., Wq. 170; in B flat, Wq. 171; in A, Wq. 172
BIS CD 807. Hidemi Suzuki, Bach Col., Japan

These works show their fine composer at his most inventive. Hidemi Suzuki, who is soloist/director here, is another fine artist from this remarkably talented family, and he creates a dashing flow of energy in the orchestral ritornellos of outer movements; and the Bach Collegium play with great zest and commitment. In slow movements Suzuki’s eloquent phrasing, warmth of feeling and breadth of tone are totally compelling, producing a cello line of heart-stopping intensity. The recording is splendid.

这些作品展现了这位杰出作曲家最富创造力的才华。担任独奏/指挥的铃木秀美是这个才华横溢的家族中另一位杰出的艺术家，他在外部乐章的管弦乐重复乐段中创造出了奔放的能量；巴赫学院的演奏充满热情和投入。在慢乐章中，铃木雄辩的措辞、温暖的情感和宽广的音色令人信服，创造出了令人心跳加速的大提琴旋律。这张录音非常精彩。

(i) Flute Concertos: in D min., Wq. 22; in A min., Wq. 16; in B flat, Wq. 167; in A, Wq. 168; in G, Wq. 169. Sonata for solo flute, Wq. 132
Naxos 8.555715/16. Patrick Gallois, (i) Toronto Camerata, Mallon

Patrick Gallois is a masterly flautist, and he gives a set of superb performances of these fine concertos, written for the court of Frederick the Great and arranged by the composer from works originally featuring the harpsichord as soloist. There is much sparkling vivacity in the Allegros, and the expressive range of the solo instruments, sometimes quite dark in feeling, is fully captured by both Gallois and the Toronto Camerata under Kevin Mallon.

帕特里克·加洛瓦是一位技艺精湛的长笛演奏家，他精彩演绎了一系列为腓特烈大帝宫廷创作的优秀协奏曲，这些作品由作曲家本人改编，原作以羽管键琴独奏。快板部分活力四射，独奏乐器的表达范围有时略显阴郁，加洛瓦和凯文·马伦指挥的多伦多室内乐团都充分展现了这些作品的魅力。
（源于Google翻译）

https://115cdn.com/s/swwf23a3hq9?password=3377&#
Bach C.P.E. - Flute Concerto - Patrick Gallois, Kevin Mallon, Toronto CO [NAXOS]等2个文件(夹)

joseph_li

6 Hamburg Sinfonias, Wq. 182 / 1 – 6
Naxos 8.553285. Capella Istropolitana, Benda

The Six Hamburg String Sinfonias are particularly striking in their unexpected twists of imagination, and they contain some of Bach’s most inspired and original ideas. Using modern instruments at higher, modern pitch, Benda directs light, well-sprung accounts with extra light and shade. The excellent sound is full and open as well as immediate, and these winning works are well worth exploring.

六首汉堡弦乐交响曲以其出人意料的想象力转折而格外引人注目，蕴含着巴赫一些最具灵感和原创性的理念。本达运用现代乐器，以更高的现代音高，指挥着轻盈灵动、充满光影的乐章。优美的音色饱满开阔，直击人心，这些获奖作品值得细细品味。
（源于Google翻译）

Keyboard sonatas Wq. 52/4; 59/1; 61/2; 65/17 & 31; 65/32: Andante only Rondos in A. Wq 58/1; in C min, Wq59/4; in D min Wq 61/4.
DG 469 0356 Mikhail Pletnev (piano) (with BEETHOVEN: Piano Sonata 26 (Les Folieux))

Altogether remarkable playing even by Pletnev’s exalted standards. He finds both the wit and depth of this music and his resource of keyboard colour and refinement of articulation are pretty awesome. The Beethoven Sonata comes as a digital bonus online.

即便以普雷特涅夫崇高的标准来看，他的演奏也堪称非凡。他觉得这首乐曲的智慧与深度，以及他对键盘色彩的运用和演奏技巧的精妙之处，都令人叹为观止。贝多芬奏鸣曲以数字版的形式在线发行。

Naxos的这张没找到。DG这张找到的是其它碟号，Bach C.P.E 的曲目一致，不含贝多芬奏鸣曲。





https://115cdn.com/s/swwf2nr3hq9?password=3377&#
Bach C.P.E. - Sonatas & Rondos - Mikhail Pletnev [DG]

joseph_li

BACH, Johann Christian (1735–82)
Harpsichord or Clavier Concertos, Opp. 1, 7, 13 & 14 (complete)
CPO 999930-2 (6). Halstead, Hanover Band

Bach’s early Berlin concertos (from the 1750s) undoubtedly influenced the young Mozart. These splendid performances from Anthony Halstead directing the Hanover Band from a Broadwood piano are appealingly fluent, full of flair and vitality. Slow movements are deeply expressive and outer movements bustle vigorously. Halstead has recorded Op. 7 in chamber form with just an accompanying string trio. His solo playing is very persuasive and the result is delightfully intimate. Bach’s Op. 13 appeared in 1777 and shows him still developing in ideas and orchestration. Op. 14 is more ambitious, although it may have been written earlier. Halstead accompanies himself brightly and gracefully.

巴赫早期的柏林协奏曲（创作于18世纪50年代）无疑影响了年轻的莫扎特。安东尼·霍尔斯特德指挥汉诺威乐队，在布罗德伍德钢琴上演奏的这些精彩作品流畅动人，充满才华和活力。慢乐章富有表现力，外部乐章则充满活力。霍尔斯特德将作品7录制成了室内乐版本，仅由弦乐三重奏伴奏。他的独奏极具感染力，效果令人愉悦而亲切。巴赫的作品13于1777年问世，展现出他在创作理念和编曲方面的发展。作品14则更具野心，尽管创作时间可能更早。霍尔斯特德的伴奏明亮而优雅。

6 Sinfonias, Op. 3; 6 Sinfonias, Op. 6; 3 Sinfonias, Op. 8; Sinfonias in C (Venier 46 – 2 versions); in F (manuscript); Sinfonias, Op. 9/1–2 (standard and original versions), Op.9/3; Sinfonia in E flat with Clarinets; 6 Sinfonias, Op. 18
CPO 999896-2 (5). Hanover Band, Halstead

Anthony Halstead continues his exploration of J. C. Bach with his Sinfonias, which share the same three-part format as the Italian overture, and at the time the descriptive titles were interchangeable. Indeed, as we discover in Opp. 9 and 18, Bach borrowed overtures from his own operas to include in his published sets. The works were initially intended for his London concerts and this is the first complete coverage on period instruments – and very impressive it is.

安东尼·霍尔斯特德继续探索J.C.巴赫的交响曲，他的交响曲与意大利序曲采用相同的三声部结构，当时的描述性标题可以互换。事实上，正如我们在作品9和18中发现的那样，巴赫从自己的歌剧中借用了序曲，并将其收录到他出版的套曲中。这些作品最初是为他在伦敦的音乐会准备的，这是首次完整涵盖古乐器的版本——令人印象深刻。
（源于Google翻译）

https://115cdn.com/s/swwf26p3hq9?password=3377&#
Bach, J.C. - Complete Symphonies - Anthony Halstead, The Hanover Band [CPO 5CD]等2个文件(夹)

明天该开始发 J.S. Bach了，大部头之一

qinyanyi

joseph_li 发表于 2025-5-30 17:20
AUBER, Daniel (1782–1871)
Overtures: Le Domino noir; Le Cheval de bronze; Crown Diamonds; Fra Diav ...

Invitation to the Dance_Albert Wolff 2CD 2010 4802388
https://***.com/s/1AMJd_Wg4QhEys037zM7Q_w?pwd=2025

Overtures in Hi-Fi_Albert Wolff 2CD Decca 2010 4802385
https://***.com/s/1Bp_Bi08ydlg3YY9nyeLZzA?pwd=2025

joseph_li

qinyanyi 发表于 2025-5-30 18:15
Invitation to the Dance_Albert Wolff 2CD 2010 4802388
https://***.com/s/1AMJd_Wg4QhEys037zM7Q_w?p ...

感谢分享

不亦乐乎lh

感谢楼主分享大工程！
资源+解说+翻译，太贴心周到啦！

xunianfeng

joseph_li 发表于 2025-5-30 17:03
(i; ii) Double Piano Concerto (three hands); (iii) English Dances 3 & 5; (iv) Beckus the Dandipratt: ...

通过网盘分享的文件：Arnold, M. -  Dances等2个文件
链接: https://***.com/s/1kU-1N7Iu7A6Bc_sPEGb-AQ?pwd=nr27 提取码: nr27
--来自百度网盘超级会员v7的分享

xunianfeng

joseph_li 发表于 2025-5-30 17:48
6 Hamburg Sinfonias, Wq. 182 / 1 – 6
Naxos 8.553285. Capella Istropolitana, Benda

通过网盘分享的文件：Bach, C.P.E. -  Hamburg Sinfonias Nos. 1 - 6, Wq. 182
链接: https://***.com/s/1pSNofBDA8tY4yS8t_tHIkg?pwd=c6a6 提取码: c6a6
--来自百度网盘超级会员v7的分享

joseph_li

xunianfeng 发表于 2025-5-31 09:44
通过网盘分享的文件：Bach, C.P.E. -  Hamburg Sinfonias Nos. 1 - 6, Wq. 182
链接: https://***.com/s ...

感谢补充分享，端午安康，

joseph_li

BACH, Johann Sebastian (1685–1750)
Brandenburg Concertos 1–6, BWV 1046–51; (i) Harpsichord Concertos 1–7, BWV 1052–8; (i–ii) Double Harpsichord Concertos 1–3, BWV 1060–62; (i–iii) Triple Harpsichord Concertos 1–2, BWV 1063–4; (i–iv) Quadruple Harpsichord Concerto, BWV 1065; (i; v; vi) Triple Concerto for Flute, Violin & Harpsichord, BWV 1044; (vi; vii) Double Concerto for Oboe & Violin, BWV 1060; (vii) Oboe d’amore Concerto, BWV 1055; (vi) Violin Concertos 1–2; (vii–viii) Double Violin Concerto, BWV 1041–3; Orchestral Suites 1–4, BWV 1066–9
DG 477 9510 (8). English Concert, Trevor Pinnock; with (i) Pinnock; (ii) Kenneth Gilbert; (iii) Lars Ulrik Mortensen; (iv) Nicholas Kraemer; (v) Lisa Beznosiuk; (vi) Simon Standage; (vii) David Reichenberg; (viii) Elizabeth Wilcock

This admirable box collects together, on eight CDs, the English Concert’s recordings of Bach, directed by Trevor Pinnock and made in the 1970s and early 1980s, which have dominated the catalogue ever since. Pinnock’s Brandenburg Concertos represent the peak of his achievement as an advocate of authentic performances, with sounds that are clean and refreshing but not too abrasive. Interpretatively, he adopts faster speeds in outer movements, but is relatively slow in Andantes, a style that others have followed since, yet from first to last there is no routine. The soloists are outstanding.

In the solo concertos he plays with real panache, his scholarship tempered by excellent musicianship. Pacing is again brisk but, to today’s ears that are used to period performances, the effect is always convincing when the playing is so spontaneous and the sound so bright and clear. The transcribed Concertos for flute, violin and harpsichord, for oboe and violin and for oboe d’amore are equally persuasive, both vigorous and warm, with consistently resilient rhythms, while the Violin Concertos are equally welcome. Rhythms are again crisp and lifted at nicely chosen speeds – not too fast for slow movements – and the solo playing here, led by Simon Standage, is very stylish.

In the Orchestral Suites Pinnock improves on his readings of many years earlier, with sound that is rather warmer and string-tone sweeter. In the dance movements of the Suite No. 2 Lisa Beznosiuk takes her flute solos faster and more brilliantly than her predecessor, Simon Preston, but otherwise speeds are a fraction broader in all four Suites, with Allegros more jauntily sprung and phrasing a degree more espressivo. Above all, the great Air of Suite No. 3 sounds far warmer, persuasively played on multiple violins instead of on a single, acid-toned instrument.

Those hankering after first-class modern-instrument performances of the Violin Concertos might add Grumiaux’s fine mid-priced analogue disc (Decca 420 700-2) in which he is satisfyingly joined in the Double Concerto by Hermann Krebbers and in the Concerto for Violin and Oboe by the equally distinguished Heinz Holliger. This is in every way satisfying.

这套令人赞叹的套装收录了八张CD，涵盖了英国音乐会乐团在20世纪70年代和80年代初录制的巴赫作品，这些作品由特雷弗·平诺克（Trevor Pinnock）执导，录制于20世纪70年代和80年代初，自此便占据了乐团曲目的主导地位。平诺克的勃兰登堡协奏曲代表了他倡导真实演奏的巅峰之作，其声音干净清新，却又不至于过于粗糙。在诠释方面，他在外部乐章中采用了更快的速度，但在行板部分则相对较慢，这种风格后来被其他人效仿，但从始至终都没有任何套路可言。独奏家们也同样出色。

在独奏协奏曲中，他演奏得淋漓尽致，他的学识渊博与卓越的音乐造诣相得益彰。节奏同样轻快，但对于如今习惯了时代音乐演出的人来说，当演奏如此自然流畅、音色如此明亮清晰时，其效果总是令人信服的。改编的长笛、小提琴和羽管键琴协奏曲、双簧管和小提琴协奏曲以及爱之双簧管协奏曲同样引人入胜，既充满活力又温暖，节奏始终富有弹性。小提琴协奏曲也同样受欢迎。节奏再次清晰明快，速度也经过精心选择——对于慢乐章来说并不算太快——由西蒙·斯坦迪奇领衔的独奏非常有风格。

在管弦乐组曲中，皮诺克在他多年前的演绎基础上有所改进，声音更加温暖，弦乐音色更加甜美。在第二组曲的舞蹈部分，丽莎·贝兹诺苏克的长笛独奏比她的前任西蒙·普雷斯顿更快、更精彩，但除此之外，四首组曲的速度都略宽一些，快板更加轻快，乐句表达也更具表现力。最重要的是，第三组曲中那首伟大的咏叹调听起来温暖得多，用多把小提琴演奏，而不是用单把、音色酸涩的小提琴，令人信服。

那些渴望聆听一流现代乐器演奏小提琴协奏曲的人，不妨看看格鲁米欧的精美中等价位模拟唱片（Decca 420 700-2），这张唱片完美地融合了赫尔曼·克莱伯斯的双重协奏曲，以及同样杰出的海因茨·霍利格的小提琴与双簧管协奏曲。这张唱片无论从哪方面来看都令人心满意足。
（源于Google翻译）

https://115cdn.com/s/swws6yr3hq9?password=3377#
Bach, J.S. - Violin Concertos - Arthur Grumiaux, Krebbers, Holliger [Philips]等3个文件(夹)
Philips 格鲁米欧这张小协是我自抓，WAV格式，可以洗版了。