本帖最后由 mop1818 于 2022-11-27 10:28 编辑
Beethoven - The Symphonies
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Beethoven - The Symphonies
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Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2022
Жанр: Classical
Издатель (лейбл): Deutsche Grammophon
Продолжительность: 05:47:12
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.com
Треклист:
Symphony No. 1 in C Major, Op. 21
1. I. Adagio molto - Allegro con brio (8:58)
2. II. Andante cantabile con moto (7:18)
3. III. Menuetto. Allegro molto e vivace (3:57)
4. IV. Finale. Adagio - Allegro molto e vivace (5:22)
Symphony No. 2 in D Major, Op. 36
5. I. Adagio molto - Allegro con brio (11:47)
6. II. Larghetto (9:57)
7. III. Scherzo. Allegro (4:29)
8. IV. Allegro molto (6:11)
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica"
9. I. Allegro con brio (16:20)
10. II. Marcia funèbre. Adagio assai (14:46)
11. III. Scherzo. Allegro vivace (5:27)
12. IV. Finale. Allegro molto (11:07)
Symphony No. 4 in B-Flat Major, Op. 60
13. I. Adagio - Allegro vivace (11:35)
14. II. Adagio (9:22)
15. III. Allegro vivace (5:44)
16. IV. Allegro ma non troppo (6:46)
Symphony No. 5 in C Minor, Op. 67
17. I. Allegro con brio (6:58)
18. II. Andante con moto (9:21)
19. III. Scherzo. Allegro - Trio (5:22)
20. IV. Allegro (10:49)
Symphony No. 6 in F Major, Op. 68 "Pastoral"
21. I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo (11:52)
22. II. Szene am Bach. Andante molto mosso (12:24)
23. III. Lustiges Zusammensein der Landleute. Allegro (5:04)
24. IV. Gewitter, Sturm. Allegro (3:43)
25. V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto (9:06)
Symphony No. 7 in A Major, Op. 92
26. I. Poco sostenuto - Vivace (13:26)
27. II. Allegretto (8:51)
28. III. Presto - Assai meno presto (8:10)
29. IV. Allegro con brio (8:20)
Symphony No. 8 in F Major, Op. 93
30. I. Allegro vivace e con brio (9:08)
31. II. Allegretto scherzando (3:41)
32. III. Tempo di menuetto (6:00)
33. IV. Allegro vivace (7:36)
Symphony No. 9 in D Minor, Op. 125 "Choral"
34. I. Allegro ma non troppo, un poco maestoso (15:32)
35. II. Molto vivace (13:01)
36. III. Adagio molto e cantabile (15:33)
37. IVa. Finale. Presto (2:36)
38. IVb. Allegro assai (3:39)
39. IVc. Presto - Recitativo "O Freunde, nicht diese Töne!" (3:31)
40. IVd. Allegro assai vivace. Alla marcia "Froh, wie seine Sonnen fliegen" (3:51)
41. IVe. Andante maestoso "Seid umschlungen, Millionen" (3:33)
42. IVf. Allegro energico e sempre ben marcato "Freude, schöner Götterfunken" (2:22)
43. IVg. Allegro ma non tanto "Freude, Tochter aus Elysium" (2:18)
44. IVh. Poco Allegro – Prestissimo "Seid umschlungen, Millionen" (1:34)[свернуть]
Исполнители:
Florian Boesch, bass-baritone
Werner Güra, tenor
Siobhan Stagg, soprano
Ekaterina Gubanova, mezzo-soprano
Accentus
Chamber Orchestra of Europe
Yannick Nezet-Seguin, conductor[свернуть]
Лог проверки качества
Об альбоме (сборнике)
Yannick Nézet-Séguin and the Chamber Orchestra of Europe present Beethoven’s nine symphonies in what is the very first recorded cycle to be based on the recently concluded New Complete Edition of the composer’s works. “I’m interested in how Beethoven’s music can surprise us today,” says Maestro Nézet-Séguin. “Our interpretation should make the audience feel as if they were hearing this music for the first time. That is my goal.” Set for release by Deutsche Grammophon on 15 July 2022 as a 5‑album edition.
Originally planned as part of the Beethoven 250 celebrations, this project was postponed by the coronavirus pandemic. Its concerts were rescheduled and recorded in July 2021 at the Festspielhaus Baden-Baden, where orchestra and conductor were joined in the Ninth Symphony by soloists Siobhan Stagg, Ekaterina Gubanova, Werner Güra and Florian Boesch and the professional choristers of Laurence Equilbey’s Accentus.
The COE first recorded the Beethoven cycle thirty years ago, producing pioneering work with its first Honorary Member Nikolaus Harnoncourt. Its musicians were delighted to rediscover the symphonies with Nézet-Séguin, also now an Honorary Member of the orchestra. Building on their experience of working together, which dates back to 2008 and has already produced acclaimed DG recordings of the complete symphonies of Schumann and Mendelssohn, Nézet-Séguin and the COE players approached their third composer-led project for the Yellow Label by developing fresh interpretations informed by the recently concluded New Complete Edition of Beethoven’s works.
The scholarly-critical edition replaces decade after decade of editorial clutter with countless details of articulation and expression recovered from multiple original sources. Among the innovations listeners will hear in this recording is the revised and expanded role of the contrabassoon in the Ninth Symphony, a work edited by Dr Beate Angelika Kraus of the Beethoven Archive in Bonn, who has written a fascinating account of certain aspects of the detective work involved in her research for the booklet notes that accompany the recording.
Maestro Nézet-Séguin and the COE’s July 2021 Baden-Baden Beethoven celebration, presented as a mini-festival of four concerts, raised spirits at a time when audiences were finally able to return to the concert hall after multiple lockdowns. Each concert in the belated 250th-birthday tribute to the composer was streamed live and recorded by Deutsche Grammophon, and the cycle as a whole garnered widespread critical praise.
The Frankfurter Allgemeine Zeitung praised the conductor for his “elegant and discreet” Beethoven, and noted that “highly focused communication between conductor and orchestra and beautifully coordinated interplay between the different sections became the hallmark of each of the nine symphonies”. Bachtrack, meanwhile, hailed the “musical intelligence behind Nézet-Séguin’s approach” as he conducted a COE “on superlative form”, with a special mention for their “exuberant, musically thrilling performance” of the Ninth.
Yannick Nézet-Séguin’s Beethoven cycle adds another major landmark to his much-lauded Deutsche Grammophon discography, which began in 2012 with a recording of Mozart’s Don Giovanni that earned rave reviews and prompted Gramophone to describe him as “a superb Mozartian”. Since then, he has recorded five more of the composer’s mature operas – these last in company with the COE, with whom he has also released the aforementioned Mendelssohn and Schumann cycles, Visions of Prokofiev (with Lisa Batiashvili), and Mozart’s Piano Concerto No. 20 (with Seong-Jin Cho). Other highlights include recordings of Rachmaninoff with The Philadelphia Orchestra, of which he is Music Director, and an album of solo piano music, Introspection, released last summer. In April this year, Maestro Nézet-Séguin’s achievements were recognised by the industry’s most prestigious awards when he won his first Grammy (Best Orchestral Performance) for his recording with The Philadelphia Orchestra of Florence Price’s Symphonies Nos. 1 & 3.
“… it was as if Beethoven’s expressive potential had come to life in all its power and freshness, enabling these symphonies to be heard in an entirely new way” (Online Musik Magazin)[свернуть]
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发表于 2022-11-27 10:23
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