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【搬运】Bach最新大全集(Bach 333),(2018)(222CD),80GB。

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发表于 2022-3-21 14:49 | 只看该作者 |只看大图 回帖奖励 |倒序浏览 |阅读模式 来自 北京市
本帖最后由 mop1818 于 2022-3-21 15:05 编辑

巴赫最新(2018)大合集:Bach 333 - J.S. Bach The New Complete Edition:222CD,80GB。



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Bach 333 - J.S. Bach The New Complete Edition
Жанр: Classical
Страна-производитель диска: EU
Год издания диска: 2018
Издатель (лейбл): Deutsche Grammophon, Decca
Номер по каталогу: 4798000
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 280:06:05
Источник: скачано из сети
Наличие сканов в содержимом раздачи: только обложки (не родные, скачаны с www.discogs.com)CD 001: J.S. Bach: Cantatas 150, 4, 71, 196
Треклист:
Johann Sebastian Bach (1685 - 1750)
Nach dir, Herr, verlanget mich, Cantata BWV 150
1. 1. Sinfonia (1:39)
English Baroque Soloists, John Eliot Gardiner
2. 2. "Nach dir, Herr, verlanget mich" (3:21)
English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
3. 3. "Doch bin und bleibe ich vergnügt" (1:34)
Joanne Lunn, English Baroque Soloists, John Eliot Gardiner
4. 4. "Leite mich in deiner Wahrheit" (1:50)
English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
5. 5. "Zedern müssen von den Winden" (1:08)
Daniel Taylor, Paul Agnew, Panajotis Iconomou, English Baroque Soloists, John Eliot Gardiner
6. 6. "Meine Augen sehen stets zu dem Herrn" (2:01)
7. 7. "Meine Tage in dem Leide" (2:55)
English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
Christ lag in Todes Banden, Cantata BWV 4
8. 1. Sinfonia (1:24)
English Baroque Soloists, John Eliot Gardiner
9. 2. "Christ lag in Todesbanden" (3:58)
10. 3. "Den Tod niemand zwingen kunnt" (5:33)
11. 4. "Jesus Christus, Gottes Sohn" (1:44)
12. 5. "Es war ein wunderlicher Krieg" (1:47)
13. 6. "Hier ist das rechte Osterlamm" (4:22)
14. 7. "So feiern wir das hohe Fest" (1:38)
15. 8. "Wir essen und wir leben wohl" (1:17)
English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
Gott ist mein König, Cantata BWV 71
16. 1. "Gott ist mein König" (2:03)
Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
17. 2. "Ich bin nun achtzig Jahr" (3:36)
Joanne Lunn, Kobie van Rensburg, English Baroque Soloists, John Eliot Gardiner
18. 3. "Dein Alter sei wie deine Jugend" (2:04)
Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey, English Baroque Soloists, John Eliot Gardiner
19. 4. "Tag und Nacht ist dein" (2:56)
Peter Harvey, English Baroque Soloists, John Eliot Gardiner
20. 5. "Durch mächtige Kraft" (1:12)
William Towers, English Baroque Soloists, John Eliot Gardiner
21. 6. "Du wollest dem Feinde nicht geben" (3:11)
English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
22. 7. "Das neue Regiment auf jeglichen Wegen" (3:22)
Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir
Der Herr denket an uns, Cantata BWV 196
23. 1. Sinfonia (1:40)
The Amsterdam Baroque Orchestra, Ton Koopman
24. 2. "Der Herr denket an uns und segnet uns" (1:52)
The Amsterdam Baroque Orchestra, Ton Koopman, The Amsterdam Baroque Choir
25. 3. "Er segnet, die den Herrn fürchten" (2:35)
Barbara Schlick, The Amsterdam Baroque Orchestra, Ton Koopman
26. 4. "Der Herr segne euch" (2:08)
Guy De Mey, Klaus Mertens, The Amsterdam Baroque Orchestra, Ton Koopman
27. 5. "Ihr seid die Gesegneten des Herrn" (2:46)
The Amsterdam Baroque Orchestra, Ton Koopman, The Amsterdam Baroque Choir
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CD 002: J.S. Bach: Cantatas 131, 106, 143, 18
Треклист:
Johann Sebastian Bach (1685 - 1750)
Aus der Tiefen rufe ich, Herr, zu dir, Cantata BWV 131
1. 1. Chor: Aus der Tiefen rufe ich, Herr, zu dir (3:49)
Ann Monoyios, Steven Rickards, Edmund Brownless, Jan Opalach, The Bach Ensemble, Joshua Rifkin
2. 2. Aria & Choral: So du wilt, Herr, Sünde zurechnen (4:21)
Jan Opalach, Ann Monoyios, The Bach Ensemble, Joshua Rifkin
3. 3. Chor: Ich harre des Herrn (3:02)
Ann Monoyios, Steven Rickards, Edmund Brownless, Jan Opalach, The Bach Ensemble, Joshua Rifkin
4. 4. Aria & Choral: Meine Seele wartet auf den Herrn (4:41)
Edmund Brownless, Steven Rickards, The Bach Ensemble, Joshua Rifkin
5. 5. Chor: Israel, hoffe auf den Herrn (3:44)
Ann Monoyios, Steven Rickards, Edmund Brownless, Jan Opalach, The Bach Ensemble, Joshua Rifkin
Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106
6. 1. Sonatina (2:13)
The Bach Ensemble, Joshua Rifkin
7. 2a. "Gottes Zeit ist die allerbeste Zeit" (1:44)
Ann Monoyios, Steven Rickards, Edmund Brownless, Jan Opalach, The Bach Ensemble, Joshua Rifkin
8. 2b. "Ach, Herr, lehre uns bedenken" (1:56)
Edmund Brownless, The Bach Ensemble, Joshua Rifkin
9. 2c. "Bestelle dein Haus" (1:07)
Jan Opalach, The Bach Ensemble, Joshua Rifkin
10. 2d. "Es ist der alte Bund" (3:29)
Ann Monoyios, Steven Rickards, Edmund Brownless, Jan Opalach, The Bach Ensemble, Joshua Rifkin
11. 3. "In deine Hände befehl' ich meinen Geist" (5:34)
Steven Rickards, Jan Opalach, The Bach Ensemble, Joshua Rifkin
12. 4. "Glorie, Lob, Ehr und Herrlichkeit" (2:44)
Ann Monoyios, Steven Rickards, Edmund Brownless, Jan Opalach, The Bach Ensemble, Joshua Rifkin
Lobe den Herrn, meine Seele, Cantata BWV 143
13. 1. "Lobe den Herrn, meine Seele" (1:14)
Bach Collegium Japan, Masaaki Suzuki
14. 2. "Du Friedefürst, Herr Jesu Christ" (1:53)
Ingrid Schmithüsen, Bach Collegium Japan, Masaaki Suzuki
15. 3. "Wohl dem, des Hulfe der Gott Jakobs ist" (0:24)
16. 4. "Tausendfaches Ungluck, Schrecken" (3:11)
Makoto Sakurada, Bach Collegium Japan, Masaaki Suzuki
17. 5. "Der Herr ist König ewiglich" (1:41)
Peter Kooij, Bach Collegium Japan, Masaaki Suzuki
18. 6. "Jesu, Retter deiner Herde, bleibe ferner unser Hort" (2:08)
Makoto Sakurada, Bach Collegium Japan, Masaaki Suzuki
19. 7. "Halleluja - Gedenk, Herr Jesu, an dein Amt" (2:13)
Gleichwie der Regen und Schnee vom Himmel fällt, Cantata BWV 18
Weimar Version
20. 1. Sinfonia (2:45)
Bach Collegium Japan, Masaaki Suzuki
21. 2. "Gleichwie der Regen und Schnee vom Himmel fällt" (1:09)
Peter Kooij, Bach Collegium Japan, Masaaki Suzuki
22. 3. "Mein Gott, hier wird mein Herze sein" (5:37)
Makoto Sakurada, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki
23. 4. "Mein Seelenschatz ist Gottes Wort" (3:16)
Midori Suzuki, Bach Collegium Japan, Masaaki Suzuki
24. 5. "Ich bitt, o Herr, aus Herzens Grund" (1:07)
Bach Collegium Japan, Masaaki Suzuki
25. Alles mit Gott und nichts ohn' ihn, BWV 1127 (12:16)
Elin Manahan Thomas, English Baroque Soloists, John Eliot Gardiner
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 楼主| 发表于 2022-3-21 14:49 | 只看该作者 来自 北京市
本帖最后由 mop1818 于 2022-3-21 14:50 编辑

BACH333 | 巴赫音乐大全集来了! 2018-10-26 19:00

今年是巴赫诞辰333周年,许多唱片公司都出了一些纪念碟。环球音乐集团今天发行了一套超级豪华的包子,内含750名艺术家和团体的超过280小时的音乐,222张CD和1张DVD,其中10小时是新录音,7个为全球首发。亚马逊上现在的价格是549.98美元,约3815元人民币。
这套全集专辑历经两年准备,由莱比锡巴赫档案馆数名音乐学者联合32家唱片厂牌完成,这些厂牌包括DG、Decca、SONY、Warner、BIS、SDG、Denon和Harmonia Mundi等。这套唱片的规模超过了两年前发行的莫扎特大全集(Mozart 225)。
附带的两本图文并茂的说明书,一本题为“生平”,内含巴赫著名学者Dorothea Schroder撰写的传记,以及莱比锡巴赫档案馆最新的13篇随笔。第二本书题为“音乐”,由巴赫学者尼古拉·肯扬逐一介绍作品。
全集有完整的歌词(含英译)、重要谱例(原件复印)和网络资源指南,包括莱比锡巴赫档案馆研发的突破性的搜索工具Bach Digital。
全集收录了莱比锡巴赫档案馆主席约翰·艾略特·加德纳爵士担任主讲的90分钟BBC纪录片《巴赫:信仰毕生》(Bach: A Passionate Life)。
全集通过四种颜色代表了作曲家的四种创作体裁:声乐、键盘音乐、管弦乐和器乐独奏,并按年代顺序排列。
康塔塔全集的版本有加德纳爵士、铃木雅明、库普曼、赫雷韦赫、莱昂哈特、哈农库特、S·库依肯等。
50张现代乐器录音来自安德拉斯·席夫、默里·佩拉希亚、安吉拉·休伊特、阿格里奇、布伦德尔等。其他大师包括阿道夫·布施、克劳迪奥·阿巴多、威廉·门格尔伯格、卡尔·里希特、埃德温·菲舍尔、格伦·古尔德、万达·兰多夫斯卡、卡萨尔斯、富尼埃、阿瑟·格鲁米欧和安妮-索菲·穆特等。
在10小时全新录音中,有卡尔米诺拉演奏的巴赫无伴奏小提琴组曲和7部首次录音的作品,还有6部改编的众赞歌等。
题为“与巴赫互动”和“巴赫之后的巴赫”的16张CD,体现了巴赫对后世作曲家及其作品的独特影响,从莫扎特和贝多芬到今天的大师。另外还包括献给巴赫的爵士乐专辑和当代新古典主义专辑《巴赫新色彩》。
333是一个很特别的数字,一方面它表示巴赫诞辰333周年,另外它也具有宗教意义和音乐结构上的意义。巴赫的一些作品中特别突出数字3,反映出三位一体的重要学说,它是巴赫宗教信仰的核心。
3的象征意义在管风琴《键盘练习曲之三》(1739年)中随处可见,这部作品共有27首曲子(3×3×3),也代表了《新约》27本书。巴赫的9部(3×3)弥撒曲(BWV669-677)、《卡农和赋格曲》(BWV1072)也有类似的设计。
加德纳爵士说:“这套超棒的录音将在不同层面受到欢迎和重视。首先,它涵盖了巴赫广泛的类型多元的作品;其次展示了不同时期对巴赫演绎的挑战与演变过程,第一次集中提供了这么多版本。听这些CD中的任何一张,都会使你更高地意识到巴赫对丰富和拓展音乐的杰出贡献。对他来说,音乐是纯粹的必需品,占据了他整个生命,必须有多种技能地创作与演奏,解决难题和挑战的能力,以及一种赋予作品精神意义的方式。今天,巴赫的音乐仍然以深刻的方式影响和改变人们的生活。它有力量反映我们最内在的问题,甚至缓和我们对当代事件的反应方式。”
作为对巴赫333的特别纪念,我们另外向大家推荐两张比较有意思的唱片,用琉特琴和曼陀林演奏的巴赫,别有趣味。
托马斯·邓福德(Thomas Dunford 1988—)法国大琉特琴演奏家
马友友 (Yo-Yo Ma 1955—)华裔大提琴家
克里斯·泰尔(Chris Thile 1981—)美国歌手、作曲家、曼陀林演奏家
埃德加·迈尔(Edgar Meyer 1960—)美国低音提琴家
(这张唱片获得了今年新回声奖的室内乐最佳录音)
下面这张是冰岛年轻的钢琴家奥拉弗森(Víkingur ólafsson 1984—)于9月7日发行的巴赫唱片。这位崇尚极简主义的艺术家(去年我们介绍过他弹的格拉斯的唱片)这次给我们带来了又一个很特别的巴赫。
以下为纪念音乐会视频:
巴赫《圣母颂歌》(法兰克福广播交响乐团)
I. Magnificat ∙ II. Et exsultavit ∙ III. Quia respexit ∙ IV. Omnes generationes ∙ V. Quia fecit mihi magna ∙ VI. Et misericordia ∙ VII. Fecit potentiam ∙ VIII. Deposuit potentes ∙ IX. Esurientes ∙ X. Suscepit Israel ∙ XI. Sicut locutus est ∙ XII. Gloria Patri et Filio ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Emőke Baráth, Sopran ∙ Lea Desandre, Sopran ∙ Damien Guillon, Countertenor ∙ Patrick Grahl, Tenor ∙ Victor Sicard, Bass ∙ Chœur du Concert D’Astrée (David Bates, Einstudierung) ∙ Emmanuelle Haïm, Dirigentin ∙
巴赫康塔塔 BWV 21, BWV 82(Raphaël Pichon/巴黎爱乐)
Bach : Cantates BWV 21, BWV 82 et autres œuvres sacrées par Raphaël Pichon
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 楼主| 发表于 2022-3-21 14:49 | 只看该作者 来自 北京市
本帖最后由 mop1818 于 2022-3-21 14:51 编辑



简介  · · · · · ·  Deutsche Grammophon and Decca proudly announce the release of the largest and most complete box set ever devoted to the work of a single composer. The 222 CD Complete Edition is the result of two years of curation and scholarship and has been developed with the cooperation of 32 labels and a team of scholars at the Leipzig Bach Archive, with an introductory DVD documentary and written welcome by its President Sir John Eliot Gardiner, and with editorial consultant Nicholas Kenyon presiding over work-by-work musical commentary.
  The set marks 333 years since the birth of J.S. Bach. We can confidently say that certain numbers and numerical proportions had a special structural and sometimes religious significance for Bach. References to the number three reflect the important doctrine of God’s Tri-unity which lies at the core of Bach’s Lutheran faith. Nicholas Kenyon says: “333 is important, because one of the key Bach numbers is 3 representing the Trinity: Father, Son and Holy Ghost. The symbolism of three, and three times three, is everywhere in the collection of organ works Clavier-übung III (1739). We often sense these underlying features in Bach’s work; while I don’t think he ever let them dominate his thinking, it was clearly a way in which he was expressing the harmony of the universe as he saw it.” The set is thus known as ‘Bach 333’.
  Across 16,926 minutes of music over 5,533 tracks, Bach 333 presents every known note from the great master and opens up his world – and his impact on our world – in a uniquely immersive way: through audio, visual, printed and online materials. The set, the largest ever devoted to a single composer and exceeding in size even the massively-successful ‘Mozart 225’ Edition of two years ago, presents Bach’s complete oeuvre from 750 hand-picked performers and ensembles across 32 labels including Sony, Warner, BIS, SDG, Denon and Harmonia Mundi.
  Two handsomely illustrated hardback books are included. The first book, entitled LIFE, presents a lavishly illustrated biography by leading Bach scholar Dorothea Schröder plus thirteen essays of the latest thinking from leading scholars from the Leipzig Bach Archive. The second book, MUSIC presents a new essay by doyen of Bach scholarship Christoph Wolff followed by work-by-work commentary by Nicholas Kenyon (author of The Faber Pocket Guide to Bach). Also included are complete sung texts and English translations, facsimile reproductions of key scores and a guide to further online resources including the Bach Archive’s ground-breaking Bach Digital initiative. Meanwhile, the set also conforms to the very latest research from the Leipzig Bach Archive and their new BWV3 catalogue due to be published in 2019-20. The life of Bach is further explored on DVD in Sir John Eliot Gardiner’s 90-minute BBC film ‘Bach: A Passionate Life’. The colour-coded layout of Bach 333 presents the works chronologically within one of four genres – Vocal Music, Keyboard Music, Orchestral Music and Instrumental Music. The consumer can navigate with ease across the enormous and rich array of content.
  Best-in-class historically-informed performances include a handpicked set of the complete Cantatas led by outstanding contributions from Sir John Eliot Gardiner and Masaaki Suzuki, plus strong showings from Ton Koopman, Philippe Herreweghe, Gustav Leonhardt, Nicolaus Harnoncourt, Sigiswald Kuijken and more; other leading names featured across the Edition include Reinhard Goebel, Christopher Hogwood, Paul McCreesh, Franz Brüggen, Trevor Pinnock, Christophe Coin, Christophe Rousset and Rinaldo Alessandrini.
  The set also presents over 50 CDs of alternative recordings including modern piano performances of all the key works from András Schiff, Murray Perahia, Angela Hewitt, Martha Argerich, Alfred Brendel and many more. 90 years of evolving Bach performance traditions in vocal and instrumental practice can be heard in legendary performances from a plethora of artists from Alfred Deller to Lorraine Hunt Lieberson, Adolf Busch to Claudio Abbado, Willem Mengelberg to Karl Richter, Edwin Fischer to Glenn Gould, Albert Schweitzer to Marie-Claire Alain, Wanda Landowska to Zuzana Růžičková, Pablo Casals to Pierre Fournier, Arthur Grumiaux to Anne-Sophie Mutter.
  Highlights among 10 hours of entirely new recordings include a new recording of the Sonatas & Partitas for solo violin by period specialist Giuliano Carmignola, as well as 7 premieres of works never recorded before - 6 alternative Chorale versions and Beethoven’s only completed arrangement of a Bach work.
  16 CDs entitled “Bach Interactive” and “Bach after Bach” form the basis of a major offering to enrich our experience and understanding of Bach’s unique impact on composers and composition ever since; from Mozart and Beethoven to today’s masters such as Arvo Pärt and György Kurtág. Included are albums devoted to Bach à la Jazz (Stéphane Grappelli, Stan Getz, Jacques Loussier, Bill Evans and more) and New Colours of Bach - remixers, composers and artists of our own time.
  Sir John Eliot Gardiner, President, Leipzig Bach Archive: “This superb array of recordings is to be welcomed and valued on different levels simultaneously. First, it displays the colossal range and sheer variety of Bach's output; then the challenges of performing it and how these have evolved - exemplified by the multiplicity of recorded interpretations assembled here for the first time. Listening to any of these CDs will surely induce in you a heightened sense of consciousness – of the role of music which Bach enriched and extended so brilliantly. For him music was pure necessity. It occupied his whole being: to compose it and perform it demanded multiple skills, a capacity to solve puzzles and challenges, and a way of making sense of the world in which he lived. In our day the music of J.S. Bach continues to affect and change people’s lives in the most profound way. It has the power to reflect our innermost concerns and even to mitigate the way we respond to contemporary events.”
  “Bach is regularly singled by composers across all traditions from jazz, pop, world and classical for his unique importance,” says Paul Moseley, Universal Music Group’s Director of Bach 333. “We have set out to do him, his life, his world, full justice, taking in current and past performance practice, fresh scholarship and the latest media, to produce something that will educate, entertain and deepen our relationship with probably the most influential composer of all time.”
  Peter Wollny, Executive Director, Leipzig Bach Archive: “Deutsche Grammophon’s invitation to collaborate on the Bach 333 Edition was both a challenge and a welcome opportunity to bring the Archive’s research to the attention of the musical world through the recorded medium. We sincerely hope this Edition opens eyes and ears around the world to the universal relevance of Johann Sebastian Bach’s creative oeuvre both today and in the future.”
  Bach 333 is released worldwide on October 26th in two language versions – English and German. The flagship Edition is accompanied by a 2CD entry level product Peaceful Bach and a suite of 13 digital products including Bach à la Jazz and New Colours of Bach, all aimed at achieving the widest possible awareness and engagement.



曲目  · · · · · ·PART 1 - SACRED CANTATAS (in chronological order)
CD001 - Cantatas 150, 4, 71, 196 - Gardiner/Koopman
CD002 - Cantatas 131, 106, 143, 18, 1127 - Rifkin/Suzuki/Gardiner
CD003 - Cantatas 182, 12, 54, 172 - Suzuki/Herreweghe/Gardiner
CD004 - Cantatas 21,199 - Suzuki/Gardiner
CD005 - Cantatas 61, 63, 152, 158, 31 - Gardiner/Kussmaul
CD006 - Cantatas 165, 185, 163, 132, 155 - Gardiner/Suzuki
CD007 - Cantatas 161, 162, 22, 23, 59 - Suzuki/Kuijken/Gardiner
CD008 - Cantatas 75, 76, 24 - Gardiner
CD009 - Cantatas 167, 147, 186, 136 - Koopman/Gardiner/Suzuki
CD010 - Cantatas 105, 46, 179, 50, 69a - Gardiner
CD011 - Cantatas 77, 25, 119, 138 - Gardiner/Suzuki/Herreweghe
CD012 - Cantatas 95, 148, 48, 109 - Gardiner/Suzuki
CD013 - Cantatas 89, 60, 90, 70, 40 - Gardiner/Suzuki/Koopman
CD014 - Cantatas 64, 190, 153, 65, 154 - Gardiner/Suzuki/McCreesh
CD015 - Cantatas 73, 81, 83, 144, 181 - Gardiner/Suzuki
CD016 - Cantatas 18, 66, 134, 67 - Kuijken/Gardiner
CD017 - Cantatas 104, 166, 86, 37, 44 - Gardiner/Suzuki/Kuijken
CD018 - Cantatas 173, 184, 194 - Gardiner/Suzuki
CD019 - Cantatas 20, 2, 7, 135 - Herreweghe/Gardiner/Leonhardt/Suzuki
CD020 - Cantatas 10, 93, 107, 178 - Gardiner/Suzuki
CD021 - Cantatas 94, 101, 113 - Gardiner
CD022 - Cantatas 33, 78, 99, 8 - Gardiner/Rifkin
CD023 - Cantatas 130, 114, 96, 5 - Koopman/Gardiner
CD024 - Cantatas 180, 38, 115, 139 - McCreesh/Suzuki/Coin/Gardiner
CD025 - Cantatas 26, 116, 62, 91, 121 - Gardiner
CD026 - Cantatas 133, 122, 41, 123 - Gardiner/Suzuki/Coin
CD027 - Cantatas 124, 3, 111, 92 - Koopman/Gardiner
CD028 - Cantatas 125, 126, 127 - Gardiner/Herreweghe
CD029 - Cantatas 1, 6, 42 - Gardiner/Suzuki
CD030 - Cantatas 85, 103, 108, 87, 128 - Gardiner/Suzuki
CD031 - Cantatas 183, 74, 68, 175, 176 - Gardiner/Coin
CD032 - Cantatas 168, 137, 164, 79, 110 - Gardiner/Koopman/Suzuki
CD033 - Cantatas 57, 151, 28, 16 - Kussmaul/Gardiner/Koopman
CD034 - Cantatas 32, 13, 72, 43 - Gardiner/Kuijken
CD035 - Cantatas 146, 129, 39 - Suzuki/Gardiner
CD036 - Cantatas 88, 170, 187, 45 - Gardiner/Herreweghe/Leonhardt
CD037 - Cantatas 102, 35, 17, 19 - Suzuki/Herreweghe/Harnoncourt/Gardiner
CD038 - Cantatas 27, 47, 169, 56 - Suzuki/Gardiner/Scholl/Kussmaul
CD039 - Cantatas 49, 98, 55, 52, 58 - Kussmaul/Gardiner/Schreier/Suzuki
CD040 - Cantatas 82, 157, 84 - Kussmaul/Scholl/Koopman/Herreweghe
CD041 - Cantatas 34, 193, 117, 188 - Gardiner/Koopman/Suzuki
CD042 - Cantatas 171, 156, 159, 120a - Gardiner/Suzuki
CD043 - Cantatas 174, 149, 51, 192, 112 - Suzuki/Gardiner
CD044 - Cantatas 29, 140, 36 - Harnoncourt/Gardiner
CD045 - Cantatas 177, 9, 97, 14 - Gardiner/Suzuki
CD046 - Cantatas 100, 195, 197a, 197 - Suzuki
CD047 - Cantatas 30, 80, 80a, 120 - Gardiner/Spering/Rifkin/Herreweghe
CD048 - Cantatas 191, 69/ 4 Spurious Cantatas - Suzuki/Schreier/Scholl
PART 2 - SACRED & SECULAR VOCAL CHORALES
CD049 - 4-Part Chorales BWV 250-318 - Augsburger Domsingknaben/ Kölner Akademie
CD050 - 4-Part Chorales BWV 319-381 - Kölner Akademie/ Augsburger Domsingknaben
CD051 - 4-Part Chorales BWV 382-438, 1089, 1122-1126, Anh. 31 - Vocalconsort Berlin/ Kölner Akademie
PART 2 - MAGNIFICAT, MOTETS, MASSES, ORATORIOS, PASSIONS
CD052 - Magnificat BWV 243/243a - Gardiner/Preston/McCreesh
CD053 - Motets - Biller/Koopman/Gardiner
CD054/55 - Mass in B Minor (Messe H-moll) - Mortensen
CD056/57 - Mass in B Minor (Messe H-moll), Missa BWV 233 - Brüggen/McCreesh
CD058 - Missas BWV 234-236 - Schreier
CD059/60 - St John Passion (Johannes-Passion, 1724 version) - Gardiner
CD061/62 - St John Passion (Johannes-Passion, 1749 version, plus 1725 Appendix) - Suzuki
CD063/64 - St Matthew Passion (Matthäus-Passion) - Gardiner
CD065/66 - St Matthew Passion (Matthäus-Passion) - McCreesh
CD067 - Easter Oratorio/Ascension Oratorio - McCreesh/Gardiner
CD068 - Easter Oratorio/Ascension Oratorio - Leonhardt
CD069/70 - Christmas Oratorio (Weihnachts-Oratorium) - Gardiner
CD071/72 - Christmas Oratorio (Weihnachts-Oratorium) - Chailly
PART 2 - SECULAR CANTATAS (in chronological order)
CD073 - Cantatas 208, 202, Quodlibet BWV 524 - Leonhardt/Hogwood/Goebel
CD074 - Cantatas 134a, 203, 173a - Suzuki/Leonhardt
CD075 - Cantatas 36c, 205, 34a - Goebel/Leonhardt/Rilling
CD076 - Cantatas 207,204, 216a - Goebel/Koopman/Grychtolik
CD077 - Cantatas 198, 201 - Gardiner/Goebel
CD078 - Cantatas 213, 214 - Leonhardt
CD079 - Cantatas 211, 215 - Hogwood/Leonhardt
CD080 - Cantatas 206, 30a - Goebel/Koopman
CD081 - Cantatas 209, 210, 212 - Rifkin/Hogwood
PART 2 - VOCAL TRADITIONS
CD082 - Cantatas 67, 106, 19; St Matthew Passion excerpts - Straube/Mengelberg/Scherchen/Lehmann
CD083 - Cantatas 56, 82, 4 - Fischer-Dieskau/Ristenpart/Lehmann
CD084 - Cantatas 31, 104, 57 - Werner
CD085 - Cantatas 199, 173, 74, 151 - Winschermann
CD086 - Easter Oratorio, Cantata 140 - Münchinger
CD087 - Cantatas 170, 159, 102 - Baker/Marriner/Britten
CD088 - Cantatas 80, 52, 84, 209 - Ameling/Leppard
CD089 - Cantatas 82, 158, 56 - Goerne/Norrington
CD090 - Advent & Christmas Cantatas 61, 63, 121, 28 - Richter
CD091 - Advent & Christmas Cantatas 64, 65, 111, 81 - Richter
CD092 - Easter Cantatas 92, 126, 182 - Richter
CD093 - Easter Cantatas 1, 4, 67, 104 - Richter
CD094 - Whitsun Cantatas 34, 68, 39 - Richter
CD095 - Whitsun Cantatas 30, 147 - Richter
CD096 - Trinity Cantatas 76, 21 - Richter
CD097 - Trinity Cantatas 135, 10, 45, 105 - Richter
CD098 - Trinity Cantatas 51, 78, 8, 130 - Richter
CD099 - Trinity Cantatas 27, 5, 60, 26 - Richter
CD100/101/102 - St. Matthew Passion (Matthäus-Passion) - Richter (1958 rec.)
CD103 - Great Singers (1952-1965) - Krebs/ Schwarzkopf/ Ferrier/ Wunderlich/Heynis etc
CD104 - Great Singers (1967-2011) - Giebel/Baker/Hunt Lieberson/Auger/Bartoli etc
CD105 - Great Singers (Period Instruments) - Deller/Esswood/Bonney/Scholl/Fink/Kozena etc
PART 3 - ORGAN WORKS (free works, then chorale-based works, chronologically)
CD106 - Introduction 1 - Rübsam/Weir/Hurford/Koopman/Preston etc
CD107 - Introduction 2 - Schmitt/Johnstone/O’Donnell/Rübsam/Chorzempa etc
CD108 - Toccata & Fugue BWV 565 & early free works - Preston/Rübsam/Hurford/Koopman etc
CD109 - Passacaglia & Fugue BWV 582 & Weimar free works - Preston/Walcha/Koopman/Bowyer etc
CD110 - Fantasia & Fugue BWV 542, BWV 538-541 & Weimar free works - Koopman/Hurford/Bowyer/Rübsam etc
CD111 - Prelude & Fugues BWV 544-548 & Leipzig free works - Preston/Hurford/Richter/Koopman etc
CD112 - Trio Sonatas 1-6 BWV 525-530 - Koopman
CD113 - Trio Sonatas 1-6 BWV 525-530 - Preston/Hurford/Chorzempa/Walcha
CD114 - 31 Neumeister Chorales BWV 1090-1120 - Barber
CD115 - Early Chorale Preludes/Chorale Partitas (Pre-Weimar) - Barber/Weinberger/Rübsam/Schmitt etc
CD116 - Chorale Preludes (Weimar) - Johnstone/Weinberger/Rübsam/Schmitt etc
CD117 - Breitkopf Collection Chorale Preludes BWV 690-713 - Preston/Hurford/Rübsam/Walcha etc
CD118 - Orgelbüchlein BWV 599-644 - Preston
CD119 - 17 Chorale Preludes (Weimar versions) BWV 651a-667a - Schmitt
CD120 - 18 Chorale Preludes (Leipzig versions) BWV 651-668 - Rübsam
CD121 - 21 Chorale Preludes BWV 669-689 (from Clavier-übung III) - Walcha
CD122 - Clavier-übung III (BWV 552, 669-689) - Preston
CD123 - Clavier-übung III (BWV 802-5, 552/ Kl. Orgelmesse, Schübler Chorales - Preston/Koopman/Foccroulle
CD124 - Free Works of unproven authenticity - Bowyer/Preston/Hurford/Weinberger etc
CD125 - Chorale-Based Works of unproven authenticity/Fragments - Bowyer/Preston/Hurford/Weinberger etc
PART 3 - KEYBOARD WORKS (Harpsichord versions chronologically, then Piano versions of key works)
CD126 - Introduction 1: [Harpsichord] - Leonhardt/Pinnock/Dreyfus/Jarrett etc
CD127 - Introduction 2: [Piano] - Brendel/Hewitt/Argerich/Schiff/Jarrett etc
CD128 - Early Fugues & Capriccios - Taylor/Alessandrini/Suzuki/Gilbert etc
CD129 - Early Suites & Sonatas - Halls/Taylor/Bahrami
CD130 - Toccatas BWV 910-916 - Pinnock/Leonhardt/Gilbert/Taylor
CD131 - Virtuoso Fantasias & Fugues - Staier/Hantai/Verlet/Pinnock/Rousset etc
CD132 - Miscellaneous Works - Gilbert/Heindel/Hill etc
CD133 - 2- Part Inventions, 3- Part Sinfonias, Preludes BWV 924-943 - Verlet/Gilbert
CD134/135 - English Suites - Dreyfus
CD136 - French Suites 1-4 - Hogwood
CD137 - French Suites 5-6, Suites BWV 818a-819 - Hogwood/Taylor
CD138 - Partitas 1, 2, 6 - Rousset
CD139 - Partitas 3, 4, 5 - Rousset
CD140 - Italian Concerto, French Overture, Four Duets - Rousset/Leonhardt
CD141/142 - The Well-Tempered Clavier, Book I - Gilbert
CD143/144 - The Well-Tempered Clavier, Book II - Gilbert
CD145 - Goldberg Variations - Rousset
CD146 - Goldberg Variations - Esfahani
CD147 - English Suites 1-3 - Pogorelich/Schiff/Argerich
CD148 - English Suites 4-6 - Schiff/Hewitt/Bahrami
CD149/150 - French Suites Nos. 1-6 - Perahia
CD151 - Partitas 1-4 - Pires/Argerich/Blechacz/Grosvenor
CD152 - Partitas 5-6, French Overture - Ashkenazy/Schiff
CD153 - 2- Part Inventions/3- Part Sinfonias/ Italian Concerto & 4 Duets - Schiff/Brendel/Hewitt
CD154/155 - The Well-Tempered Clavier, Book I - Pollini
CD156/157 - The Well-Tempered Clavier, Book 2 - Schiff
CD158 - Goldberg Variations - Schiff (2003 rec.)
PART 3 - KEYBOARD TRADITIONS
CD159 - Piano Legends 1933-1956 - Fischer/Gulda/Lipatti/Tureck/Hess etc
CD160 - Piano Legends 1959-1993 - Richter/Gould/Gavrilov/Horowitz/Gilels etc
CD161 - Keyboard Legends - Landowska/Malcolm/Kirkpatrick/Ruzickova etc
CD162 - Organ Legends - Schweitzer/Walcha/Richter/Dupré/Alain etc
CD163 - Orgelbüchlein BWV 599-644 - Walcha (1952 rec.)
PART 4 - ORCHESTRAL WORKS
CD164 - Brandenburg Concertos Nos. 1-6 - Goebel
CD165 - Brandenburg Concertos 1-4/Concerto BWV 1057 - Pinnock
CD166 - Brandenburg Concertos 5-6/Concertos 1046a, 1050a - Pinnock/Hogwood
CD167 - Orchestral Suites Nos. 1-3 - Goebel
CD168 - Orchestral Suites Nos. 2-4 - Goebel/Hogwood
CD169 - Orchestral Suites Nos. 1-4 - Pinnock
CD170 - Violin Concertos BWV 1041, 1042/ Keyboard Vns. BWV 1058, 1054 - Carmignola/Hogwood/Pinnock/Goebel etc
CD171 - Concertos: 2 Violins/2 Keyboard Vn. BWV 1043/1062; BWV 1052/R - Pinnock/Koopman/Carmignola/Hogwood/Dantone etc
CD172 - Keyboard and Oboe d’amore Concertos BWV 1053/R, 1055/R - Hogwood/Rousset/Pinnock/Holliger/Reichenberg etc
CD173 - Concertos BWV 1056/R, 1059R, 1060/R, 1045 - Dantone/Carmignola/Kuijken/Pinnock etc
CD174 - Concertos for 2 & 3 Keyboards BWV 1061/a, 1063, 1064/R - Rousset/Koopman/Pinnock/Huggett
PART 4 - ORCHESTRAL TRADITIONS
CD175 - Brandenburg Concertos: Landmark Performances 1935-1964 - Busch/Neel/Wenzinger/Harnoncourt etc
CD176 - Brandenburg Concertos: Landmark Performances 1968-2013 - Richter/Marriner (1971)/Antonini/Abbado/Butt etc
CD177 - Concerto for 2 Violins BWV 1043 (Various Performances) - Grumiaux/Oistrakhs/Hahn/Mutter/Hope etc
CD178 - Violin Concertos BWV 1041-3, 1056R, 1060R - Mutter/Hahn/Fischer/Jansen/Mullova/Lozakovich
CD179 - Keyboard Concertos BWV 1052-1056 - Schiff/Bahrami
CD180 - Orchestral Works: Alternative Instrumentations - Holliger/Christ/Mayer/Jansen etc
PART 4 - CHAMBER WORKS
CD181/182 - 6 Sonatas & Partitas for Solo Violin - Carmignola
CD183 - Suites for “Lute” - Satoh/Yepes/Söllscher
CD184/185 - Cello Suites Nos. 1 - 6 - Watkin
CD186 - Violin Sonatas BWV 1014-1018 - Goebel/Hill/Huggett/Koopman
CD187 - Violin/Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-9 - Goebel/Huggett/Manze/Trio Sonnerie etc
CD188 - 5 Flute Sonatas/ Partita for Solo Flute BWV 1013, 1030, 1032-5 - Hazelzet/Hünteler
CD189 - Flute Sonatas BWV 1031, 8, 9/Doubtful & Spurious Sonatas - Hazelzet/Goebel/Holliger/Hill
PART 4 - CANONS & COUNTERPOINT
CD190 - Canons/Musical Offering (Musikalisches Opfer) - Goebel/Walcha/Hogwood
CD191 - The Art of Fugue/ Die Kunst der Fuge (chamber version) - Dantone/Accademia Bizantina
CD192 - The Art of Fugue/ Die Kunst der Fuge (keyboard version) - Aimard
CD193 - The Art of Fugue/ Die Kunst der Fuge (1742 version) - Gilbert
PART 4 - INSTRUMENTAL TRADITIONS
CD194 - Legendary Performers - Casals/Starker/Segovia/Bream/Szeryng etc
CD195 - Sonatas & Partitas for Solo Violin BWV 1001-1004 - Milstein
CD196 - Sonatas & Partitas for Solo Violin BWV 1004-1006 - Grumiaux
CD197 - Sonatas & Partitas for Solo Violin BWV 1001, 3, 4, 6 - Kremer/Mullova/Batiashvili/Jansen
CD198/199 - Cello Suites Nos. 1-6 - Fournier
CD200 - Solo & Chamber Works: Alternative Instrumentations - Manze/Holliger/Alessandrini/Emerson Qt etc
PART 4 - MUSIC NOTEBOOKS/SACRED SONGS
CD201 - Clavier-Büchlein W.F. Bach - Kirkpatrick; Taylor
CD202 - Clavier-Büchlein W.F. Bach (concl.)/Anna Magdalena Bach 1722 - Kirkpatrick/Dart; Taylor/Schmitt etc
CD203/204 - Noten-Büchlein Anna Magdalena Bach 1725 - Leonhardt/Verlet/Taylor/Hunt Lieberson/Kirkby etc
CD205/206 - Sacred Songs “aus Schemellis-Gesangbuch" BWV 439-507 - Schreier/Prey/Kozena/Cuénod/Stutzmann etc
PART 4 - BACH INTERACTIVE
CD207 - Bach: Early Influences - Walcha/Foccroulle/Weir/Bouman etc
CD208 - Concerto at Weimar: Telemann & Prince Johann Ernst - Goebel/Rifkin/Preston/Hurford/Dreyfus etc
CD209 - Concerto at Weimar: Vivaldi - Benedetti/Preston/Hurford/Bolton etc
CD210 - Concerto at Weimar: Vivaldi, A. & B. Marcello - Bolton/Dreyfus/ Rübsam
CD211 - The Bach Family - Goebel/Helbich/Demeyere/Junghänel etc
CD212 - Bach & Other Composers c. 1715-1730 - Helbich/Suzuki/Goebel/Webber etc
CD213 - Bach & Other Composers c. 1730-1742 - Curtis/Goebel/Helbich/Suzuki etc
CD214 - Bach & Other Composers c. 1742-1750 - Goebel/Gardiner/Suzuki/Helbich etc
PART 4 - BACH AFTER BACH
CD215 - Bach Renewed/ From Bach’s Sons to Mahler - Spering/Rademann/Minkowski/Chailly etc
CD216 - Bach Reimagined/ Chaconne and Passacaglia - Staier/Grosvenor/Mata/Nézet-Séguin etc
CD217 - Bach Orchestrated/ Reger to Stokowski - Stokowski/Ozawa/Boulez/Salonen etc
CD218 - Inspired by Bach/ Gounod to Pärt - Serebrier/Grimaud/Chailly/Fires of London etc
CD219 - Bach & The Virtuoso Piano: Liszt and Busoni - Freire/Brendel/Paik/Cascioli etc
CD220 - Bach & The Virtuoso Piano: The 20th Century - Ashkenazy/Kissin/Kempff/Kurtág/Kocsis etc
CD221 - Bach à la Jazz - Grappelli/Loussier/MJQ/Shearing/Getz/Evans etc
CD222 - New Colours of Bach - Gregson/Olafsson/Tristano/Andersson etc





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4
 楼主| 发表于 2022-3-21 14:49 | 只看该作者 来自 北京市
占楼发布!
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5
 楼主| 发表于 2022-3-21 14:49 | 只看该作者 来自 北京市
占楼发布!
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6
 楼主| 发表于 2022-3-21 14:50 | 只看该作者 来自 北京市
占楼发布!
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7
发表于 2022-3-21 16:47 | 只看该作者 来自 湖南省长沙市
这个确实大,确实大,确实大!
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8
发表于 2022-3-21 20:41 | 只看该作者 来自 上海市
感谢分享,下来听听!
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9
发表于 2022-3-21 21:04 | 只看该作者 来自 广东省广州市
感谢分享,已存下。
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10
发表于 2022-3-21 21:35 来自手机 | 只看该作者 来自 云南省昆明市
谢谢
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11
发表于 2022-3-21 21:58 来自手机 | 只看该作者 来自 辽宁省沈阳市
感谢!
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12
发表于 2022-3-21 22:15 来自手机 | 只看该作者 来自 黑龙江省大庆市
谢谢,链接失效了,能补一下么?
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13
 楼主| 发表于 2022-3-21 23:48 | 只看该作者 来自 北京市
龙鏱 发表于 2022-3-21 22:15
谢谢,链接失效了,能补一下么?

哈希和磁力链怎么会失效?
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14
发表于 2022-3-22 17:08 | 只看该作者 来自 广东省广州市
谢谢分享。
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15
发表于 2024-5-27 00:41 | 只看该作者 来自 四川省成都市
  十分的感谢。

内容上,说实话,个人感觉他们选择的Karl Richter的版本太少了,感觉至少Mass in B Minor应该有Richter的一席之地
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16
发表于 2024-5-27 09:51 | 只看该作者 来自 上海市
大盘集,谢谢分享资源
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17
发表于 2024-5-29 09:35 | 只看该作者 来自 北京市
谢谢分享!
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