joseph_li 发表于 2025-6-1 15:59
Cantatas (i) 82; (i–iii) 159; (ii) 170
Decca Australian Eloquence (ADD) 476 2684. ASMF, Marriner,  ...

感谢平和从容兄的提醒，遗漏了加德纳的B小调弥撒，BWV 232，原帖已经不能修改，补充如下：
Mass in B min., BWV 232 (CD version)
DG 415 514-2 (2). Argenta, Dawson, Fairfield, Knibbs, Kwella, Hall, Nichols, Chance, Collin, Stafford, Evans, Milner, Murgatroyd, Lloyd Morgan, Varcoe, Monteverdi Ch., E. Bar. Sol., Gardiner


https://115cdn.com/s/swwsyhx3hq9?password=3377&#
Bach J.S. - Mass in B minor - Gardiner, Monteverdi Choir, English Baroque Soloists [Archiv]

qinyanyi 发表于 2025-6-2 01:31
French Songs_Janet Baker 2010 4803670
https://***.com/s/1fj7i6aSlMcLHiOlJbp3XMw?pwd=2025

感谢分享。我架梯子就没搞定过，是需要办理会员吗？

去年还可以从MEGA上下载，年底就限流，也下不了了。

joseph_li 发表于 2025-6-1 15:59
Cantatas (i) 82; (i–iii) 159; (ii) 170
Decca Australian Eloquence (ADD) 476 2684. ASMF, Marriner,  ...

老兄分享超级给力，感谢！

73，74楼“Bach, J.S. - Motets - Masaaki Suzuki, Bach Collegium Japan [BIS 2010 24-44.1]”重复！73楼未见加德纳！

joseph_li 发表于 2025-6-1 20:20
BAKER, Janet, with the Melos Ensemble of London
‘French Songs’: RAVEL: Trois poèmes de Stéphane ...

French Songs_Janet Baker 2010 4803670
https://***.com/s/1fj7i6aSlMcLHiOlJbp3XMw?pwd=2025

下载源自 pippo9
https://nitroflare.com/view/05336D1ED27912C/Elo.JB.FS.rar

芭蕾蓝光太棒了！

wpx426 发表于 2025-6-1 21:27
呵呵，您这是骑驴找驴了。您share的Philips Decca的套装CD5就是。除了法国歌，还有Britten等的。此外，俺 ...

感谢提醒。找晕了，这张碟同时评为企鹅三四星带花。

joseph_li 发表于 2025-6-1 20:20
BAKER, Janet, with the Melos Ensemble of London
‘French Songs’: RAVEL: Trois poèmes de Stéphane ...

呵呵，您这是骑驴找驴了。您share的Philips Decca的套装CD5就是。除了法国歌，还有Britten等的。此外，俺是Baker夫人的粉丝，她可不是浪得虚名

Adagio for Strings, Op. 11
Decca (ADD) 475 8237. ASMF, Marriner (with COWELL: Hymn and Fuguing Tune; CRESTON: Rumour; COPLAND: Quiet City; IVES: Symphony 3)

Americans have now adopted Barber’s Adagio (a transcription of the slow movement of a string quartet) as their equivalent to Elgar’s Nimrod favoured by listeners on this side of the Atlantic. Marriner’s nobly restrained performance with the ASMF, which dates back to 1976, is still unsurpassed. Its climax is absolutely gripping and the remastered Argo recording shows just how good Decca string-sound was in the mid-1970s. The couplings are as attractive as they are imaginative, and this splendid anthology shows five twentieth-century American composers all on top form.

如今，美国人已将巴伯的《柔板》（弦乐四重奏慢乐章的改编版）视为与大西洋彼岸听众所钟爱的埃尔加《猎鹰》相媲美的作品。马里纳与美国音乐节音乐节（ASMF）合作的那场高贵而克制的演出，可追溯至1976年，至今仍无人能及。其高潮部分绝对扣人心弦，而Argo唱片的重制版则展现了迪卡在20世纪70年代中期弦乐音色的精湛。这些作品的搭配引人入胜，充满想象力，这本精彩的选集展现了五位二十世纪美国作曲家的巅峰状态。

Violin Concerto, Op. 14
Onyx 4016. Ehnes, Vancouver SO, Tovey – KORNGOLD; WALTON: Violin Concertos

Barber’s Violin Concerto grows in stature with every hearing, and the young Canadian violinist James Ehnes proves an ardent and committed advocate, mirrored by Bramwell Tovey’s glowing partnership, particularly in the lyrical, beautiful slow movement, which has exquisite delicacy of feeling. It is an inspired coupling, as well as a generous one, having the Barber alongside two other high-romantic concertos together. Ehnes gives superb performances of all three, bringing out their full emotional thrust without vulgarity or exaggeration. An altogether indispensable CD.

巴伯的小提琴协奏曲在每一次聆听中都愈发高贵，年轻的加拿大小提琴家詹姆斯·埃内斯展现了其热情而坚定的拥护，与布拉姆韦尔·托维的出色合作更是相得益彰，尤其是在抒情优美的慢乐章中，其情感细腻细腻。将巴伯的这首协奏曲与另外两首浪漫主义风格的协奏曲完美融合，既是一次充满灵感的合作，也是一次慷慨的合作。埃内斯对这三首协奏曲的演绎都堪称精湛，将作品的情感力量淋漓尽致地展现出来，丝毫不庸俗或夸张。这是一张绝对不容错过的CD。

Vanessa (complete)
RCA (ADD) 88697446172 (2). Eleanor Steber, Nicolai Gedda, Rosalind Elias, Regina Resnik, Giorgio Tozzi, Met. Op. O, Mitropoulos

Vanessa inhabits much the same civilized world as Strauss or Henry James. Although it has not held the stage, its melodic freshness and warmth will ensure a reversal of its fortunes some day. This recording was made at the time of its first performance in 1958, but no apologies are needed for its quality; it stands the test of time as well as does the opera itself, and this reissue is well worth seeking out.

《凡妮莎》与施特劳斯或亨利·詹姆斯的作品一样，栖息于一个文明世界。尽管它未能登上舞台，但其清新温暖的旋律终有一天会扭转它的命运。这张唱片录制于1958年首演时，但其品质毋庸置疑；它和歌剧本身一样经受住了时间的考验，这张再版唱片非常值得一听。
（源于Google翻译）

https://115cdn.com/s/swwso2y3hq9?password=3377&#
Barber, Samuel & Korngold & Walton - Violin Concertos - James Ehnes, Bramwell Tovey, Vancouver SO [Onyx]等3个文件(夹)

BARBER, Samuel (1910–81)
Complete Orchestral Works (as below)
Naxos 8.506021 (6). Soloists, RSNO, Marin Alsop

Adagio for Strings; (i) Cello Concerto, Op. 22. Medea (ballet suite), Op. 23
Naxos 8.559088. RSNO, Alsop; (i) with Wendy Warner
(i) Canzonetta for Oboe & Strings; (i–ii) Capricorn Concerto. Fadograph of a Yestern Scene; Mutations from Bach; (iii) A Hand of Bridge (opera). Vanessa (opera): Intermezzo
Naxos 8.559135. RSNO, Alsop; with (i) Stéphane Rancourt; (ii) John Gracie, Karen Jones; (iii) Lesley Craigie, Louise Winter, Simon Wall, Roderick Williams
(i) Piano Concerto. Commando March; Die Natali, Op. 37; Medea’s Meditation and Dance of Vengeance
Naxos 8.559133. RSNO, Alsop; (i) with Steven Prutsman
(i) Violin Concerto. Music for a Scene from Shelley, Op. 7; Serenade for Strings, Op. 1; Souvenirs (ballet suite), Op. 28
Naxos 8.559044. RSNO, Alsop; (i) with James Buswell
First Essay for Orchestra, Op. 12; The School for Scandal Overture, Op. 5; Symphonies 1, Op. 9; 2, Op. 19
Naxos 8.559024. RSNO, Alsop
Second Essay for Orchestra, Op. 17; Third Essay for Orchestra, Op. 47; (i) Toccata Festiva for Organ & Orchestra, Op. 36; (ii) Knoxville: Summer of 1915, Op. 24
Naxos 8.559134. RSNO, Alsop; with (i) Thomas Trotter; (ii) Karina Gauvin

This is among Marin Alsop’s finest achievements to date, among her many other impressive recordings, and this box can hardly be recommended too highly. Barber’s Cello Concerto of 1945 is more elusive than his Violin Concerto but Wendy Warner concentrates on its sometimes wry lyricism, and she articulates with brilliant point in the gentle scherzando passage of the finale. Alsop is a persuasive partner, relishing the often plangent orchestral backcloth and securing a splendidly committed response from the Scottish players, both here and in the often astringent score for Medea. The selection is generous, with the atmospheric central portrait of Medea herself and her dance of vengeance made the final point of the score. The famous Adagio for Strings then becomes essentially an elegy, but reaches a passionate climax.

The neoclassical Capricorn Concerto, which takes its name from the house that Barber and Menotti shared, is a relative rarity, but this Scottish account is in every way appealing. The Canzonetta was left in short score on Barber’s death, but this arrangement with strings is expertly done, and the piece is as moving as the very best of Barber. The Fadograph of a Yestern Scene is another rarity, a ruminative and reflective score with a strong vein of melancholy to sustain it. The witty ten-minute opera, A Hand of Bridge, which Barber wrote for Menotti’s festival at Spoleto, also comes off well. In short, this is a most pleasurable disc and repays repeated listening.

Stephen Prutsman gives a powerful reading of Barber’s formidable Piano Concerto, fully in command of the bravura writing of the outer movements and tenderly expressive in the central Canzonetta. Again with Marin Alsop a most sympathetic Barber interpreter, the Concerto is effectively supplemented by the well-known concert work drawn from the Medea ballet, the genial and colourful fantasia on Christmas carols, Die Natali, written at the same period as the Concerto in memory of Serge and Natalie Koussevitzky, and the wartime Commando March.

Marin Alsop then backs up the masterly Violin Concerto with the witty and delightfully parodic ballet, Souvenirs, and two early works, the evocative Scene from Shelley and a long-neglected three-movement Serenade, which is based on a string quartet written when Barber was nineteen and which anticipates the Adagio for Strings. James Buswell is a refined, sensitive soloist in the Concerto, warm without being soupy, if not quite as individual as Ehnes in his vintage version with Tovey.

In the fifth Naxos collection, the two Symphonies are played by the Scottish orchestra with passionate commitment and deep lyrical feeling. The account of the complete Second Symphony will surely confirm the reputation of a wartime work which the composer partly withdrew in despondency after its neglect. The First Essay for Orchestra also generates a powerful atmosphere when played with such depth of expression, helped by the spectacular recording.

Marin Alsop then backs up the masterly Violin Concerto with the witty and delightfully parodic ballet, Souvenirs, and two early works, the evocative Scene from Shelley and a long-neglected three-movement Serenade, which is based on a string quartet written when Barber was nineteen and which anticipates the Adagio for Strings. James Buswell is a refined, sensitive soloist in the Concerto, warm without being soupy, if not quite as individual as Ehnes in his vintage version with Tovey.

In the fifth Naxos collection, the two Symphonies are played by the Scottish orchestra with passionate commitment and deep lyrical feeling. The account of the complete Second Symphony will surely confirm the reputation of a wartime work which the composer partly withdrew in despondency after its neglect. The First Essay for Orchestra also generates a powerful atmosphere when played with such depth of expression, helped by the spectacular recording.

Marin Alsop’s final outstanding collection gathers together a most attractive group of works, including one of the most popular of all, the evocative setting of a prose poem by James Agee, Knoxville: Summer of 1915, with the Canadian soprano Karina Gauvin as the opulent soloist. The voice is so rich that the diction is not as clear as it might be, but happily the booklet provides the full text. Alsop’s reading brings out the contrasts between the different sections more sharply than usual; similarly, in both of the Essays (No. 3 a late work, written in 1976) she highlights contrasts to bring out the feeling in each of these compressed symphonic structures. The Toccata Festiva for organ and orchestra, written for the unveiling of a new organ for the Philadelphia Orchestra, is an exuberant piece that brings the widest expressive range in the organ part and, with the orchestral contribution colourful too, the work (surprisingly) is a great rarity on disc. But, like the whole six-disc collection, it is superbly played and recorded.

这是马林·阿尔索普迄今为止最杰出的成就之一，也是她众多令人印象深刻的录音之一，这套录音盒无论如何推荐都不为过。巴伯1945年的大提琴协奏曲比他的小提琴协奏曲更难以捉摸，但温迪·华纳专注于其时而略带讽刺的抒情风格，并在终乐章柔和的谐谑曲段落中展现得淋漓尽致。阿尔索普是一位极具说服力的搭档，她充分发挥了时而凄婉的管弦乐背景，并获得了苏格兰乐手们的精彩回应，无论是在这部作品中，还是在《美狄亚》那略显尖锐的乐谱中。作品选材丰富，其中，美狄亚本人的形象和她复仇之舞的氛围构成了乐谱的压轴。随后，著名的弦乐柔板变成了一首挽歌，但最终达到了充满激情的高潮。

新古典主义风格的摩羯座协奏曲以巴伯和梅诺蒂共同居住的房子命名，相对罕见，但这张苏格兰版本却处处引人入胜。巴伯去世时留下的短篇小调乐谱虽然简短，但其弦乐编排堪称精湛，堪比巴伯最优秀的作品，令人动容。《昨日场景的法朵格拉夫》也是另一首珍品，其乐谱引人深思，并带有强烈的忧郁气息。巴伯为梅诺蒂在斯波莱托的音乐节创作的十分钟诙谐歌剧《桥牌之手》也同样精彩。总而言之，这是一张令人愉悦的唱片，值得反复聆听。

斯蒂芬·普鲁茨曼对巴伯令人敬畏的钢琴协奏曲进行了强有力的诠释，他完全掌控了外部乐章的华丽，并在中间的小调乐章中展现出温柔的表达。马林·阿尔索普再次以极具感染力的演绎诠释了巴伯的协奏曲，这首协奏曲与著名的芭蕾舞剧《美狄亚》音乐会作品、与纪念塞尔日和娜塔莉·库塞维茨基的协奏曲同期创作的、充满亲切色彩的圣诞颂歌幻想曲《娜塔莉》以及战时的《突击队进行曲》相得益彰。

随后，马林·阿尔索普以诙谐诙谐、妙趣横生的芭蕾舞剧《纪念品》和两部早期作品——令人回味的《雪莱场景》和长期被忽视的三乐章《小夜曲》——为大师级的小提琴协奏曲伴奏。《小夜曲》改编自巴伯十九岁时创作的弦乐四重奏，预示着《弦乐柔板》的到来。詹姆斯·巴斯韦尔在协奏曲中是一位优雅细腻的独奏家，温暖而不浮夸，尽管不如埃内斯与托维合作的经典版本那样独具特色。

在纳克索斯第五辑中，苏格兰管弦乐团以饱满的热情和深沉的抒情演绎了这两部交响曲。第二交响曲的完整演绎无疑将巩固这部战时作品的声誉，作曲家在作品被忽视后曾一度沮丧地放弃创作。《第一管弦乐随笔》在如此深刻的表达下，也营造出了一种强大的氛围，这得益于其精彩的录音。

随后，马林·阿尔索普用诙谐诙谐、妙趣横生的芭蕾作品《纪念品》以及两部早期作品——令人回味的《雪莱场景》和一部长期被忽视的三乐章《小夜曲》——为大师级的小提琴协奏曲伴奏。《小夜曲》改编自巴伯十九岁时创作的弦乐四重奏，预示了《弦乐慢板》的到来。詹姆斯·巴斯韦尔在协奏曲中是一位优雅细腻的独奏家，温暖而不浮夸，尽管不如埃内斯与托维合作的复古版本那样独具个性。

在纳克索斯第五部合辑中，苏格兰管弦乐团以饱满的热情和深沉的抒情演绎了这两部交响曲。第二交响曲的完整演绎无疑将巩固这部战时作品的声誉，作曲家在作品被忽视后曾一度沮丧地放弃了这部作品。《第一管弦乐随笔》在如此深刻的表达下，也营造出了一种强大的氛围，这得益于其精彩的录音。

马林·阿尔索普的最后杰作汇集了一组极具吸引力的作品，其中包括最受欢迎的作品之一——詹姆斯·艾吉散文诗《诺克斯维尔：1915年的夏天》的令人回味的背景，由加拿大女高音卡琳娜·高文担任华丽的独唱。由于声音如此浑厚，以至于措辞不够清晰，但令人欣慰的是，小册子提供了完整的文本。阿尔索普的朗诵比以往更加鲜明地展现了不同部分之间的对比；同样，在两部《随笔集》（第三号是她1976年创作的晚期作品）中，她都强调对比，以突出每个紧凑交响乐结构中的情感。为费城交响乐团新管风琴揭幕而作的《托卡塔·节日》是一部充满活力的作品，其管风琴声部展现了最广阔的表达范围，管弦乐的演奏也同样精彩纷呈，因此这部作品（令人惊讶地）在唱片中极为罕见。但与整套六碟合集一样，它的演奏和录制都非常出色。（源于Google翻译）

https://115cdn.com/s/swwso0k3hq9?password=3377&#
Barber, Samuel - Complete Orchestral Works - Marin Alsop, RSNO [Naxos]
与三四星带花不同，这个推荐系列里不少Naxos厂牌。

BANTOCK, Granville (1868–1946)
Caristiona; A Celtic Symphony; Cuchullan’s Lament; The Cyprian Goddess (Symphony 3); Dante and Beatrice; Fifine at the Fair; Hebridean Symphony; Helena Variations; Kishmul’s Galley; Omar Khayyám: Prelude & Camel Caravan; Overture to a Greek Tragedy; Pagan Symphony; Pierrot of the Minute; Processional; Sapphic Poem for Cello & Orchestra; Sappho; The Sea Reivers; Song of Songs (Prelude & extracts); Thalaba the Destroyer; The Wilderness and the Solitary Place; The Witch of Atlas
Hyp. CDS 44281/6 (6). Lloyd Webber; Bickley; Connell; Begley; RPO (with Ch.), Handley

Between 1990 and 2003 Vernon Handley recorded all the principal orchestral works of Bantock (although the complete Omar Khayyám had to wait until 2006/7 and now appears on Chandos CHSA 5051 (3)). It was a considerable achievement, revealing Bantock as a major figure in English music in the late nineteenth and early twentieth century. Handley is a dedicated advocate and the standard of performances and recordings in this box is very high indeed. If you have not already invested in this rewarding composer, Hyperion’s box (with the sirens visually enticing on the front cover) offers a chance to respond to their allure, with a promise of many rewards from this often sumptuously scored and consistently inventive music.

1990年至2003年间，弗农·汉德利（Vernon Handley）录制了班托克所有主要的管弦乐作品（尽管完整的《奥马尔·海亚姆》直到2006/07年才录制完成，目前收录于Chandos唱片公司CHSA 5051 (3)）。这是一项了不起的成就，它表明班托克是19世纪末20世纪初英国音乐界的一位重要人物。汉德利是一位忠实的拥护者，这盒唱片中的演出和录音水准确实非常高。如果您还没有投资这位回报丰厚的作曲家的作品，那么Hyperion唱片公司的这盒唱片（封面上印着极具视觉吸引力的塞壬女妖图案）将为您提供一个机会来感受它的魅力，并承诺从这套通常配乐华丽、始终富有创意的音乐中收获诸多回报。
（源于Google翻译）

https://115cdn.com/s/swwso1u3hq9?password=3377&#
Bantock, Granville - Omar Khayyam - Vernon Handley, BBC SO & Chorus [Chandos MP3]等2个文件(夹)
只找到MP3格式，聊胜于无吧。

BAKER, Janet (mezzo)
‘The Beloved Mezzo’: BRAHMS: Alto Rhapsody (with John Alldis Choir). WAGNER: Wesendonck-Lieder. R. STRAUSS: Liebeshymnus; Das Rosenband; Ruhe, meine Seele; Muttertändelei (with LPO, Boult). ELGAR: Sea Pictures (with LSO). Dream of Gerontius: Angel’s Farewell (with Choirs, Hallé O). BERLIOZ: Nuits d’été. RAVEL: Shéhérazade (with New Philh. O; all cond. Barbirolli). CHAUSSON: Poème de l’amour et de la mer (with LSO, Previn). MAHLER: Kindertotenlieder; 5 Rückert-Lieder; Lieder eines fahrenden Gesellen (with Hallé O or New Philh. O, Barbirolli); Symphony 2: Urlicht (with CBSO, Rattle). HANDEL: Messiah: He was despised (with ECO, Mackerras). Ah! Crudel nel pianto mio, HWV 478; Armida abbandonata, HWV 105 (with ECO, Leppard). BACH: Cantata 82, Ich habe genug: Schlummert ein (with Bath Festival O, Y. Menuhin); Christmas Oratorio: Bereite dich, Zion. St John Passion: Es ist vollbracht. Bist du bei mir (with ASMF, Marriner). Early English Songs: DOWLAND: Come again, sweet love. CAMPION: Never love again unless you can; Oft have I sighed; If thou longst so much to learn; Fain would I wed (with Robert Spencer, lute). PURCELL: Sleep, Adam, sleep; Lord what is man. BOYCE: Tell me, lovely shepherd. MONRO: My lovely Celia. ARNE: Where the bee sucks (with Martin Isepp (harpsichord), Ambrose Gauntlett (viola da gamba)). Lieder: SCHUBERT: Gretchen am Spinnrade (with Gerald Moore (piano)); Heidenröslein; An die Musik; Die Forelle; Auf dem Wasser zu singen; Du bist die Ruh; Nacht und Träume; An Sylvia. MENDELSSOHN: Neue Liebe; Auf Flügeln des Gesanges; Nachtlied. LISZT: Lorelei; Über allen Gipfeln ist Ruh (with Geoffrey Parsons (piano)). SCHUMANN: Frauenliebe und -Leben, Op. 42 (with Daniel Barenboim (piano))
image EMI (ADD) 2 08087-2 (5)

Indeed Janet Baker was one of the most loved English singers of our time and this admirable anthology covers her key recordings between 1965 and 1980, with the voice staying ever fresh. She had a remarkable communicative ability. As John Steane comments in the booklet which accompanies this set: ‘For those who heard her “in the flesh” the voice commanded immediate attention. If you happened to be looking down at your programme, with the first sung notes you looked up. She had a way of so directing the voice that everybody felt she was singing for them. And she was lucky in being one of those whose recordings preserve a true reflection.’

Whether in English, French or German song, she felt the idiom naturally but there was also a special feeling for Mahler, encouraged by her association with Barbirolli. But others formed serendipitous musical partnerships with her, not least Sir Adrian Boult, whose account of Brahms’s Alto Rhapsody opens this programme arrestingly. She closes with Lieder, the intimacy of which found a special place in her heart, especially when singing with her favourite accompanist, Geoffrey Parsons. Indeed this is a treasurable set, and one can only feel a little disappointed by EMI’s decision not to include translations.

珍妮特·贝克确实是我们这个时代最受喜爱的英国歌手之一，这本令人钦佩的选集涵盖了她1965年至1980年间的重要录音，她的歌声始终保持着鲜活的活力。她拥有非凡的沟通能力。正如约翰·斯蒂恩在随附的小册子中所评论的那样：“对于那些‘亲耳’聆听过她演唱的人来说，她的声音立刻吸引了人们的注意力。如果你正低头看着节目单，当第一个音符响起时，你就会抬起头来。她巧妙地引导着自己的声音，让每个人都感觉她是在为他们演唱。她很幸运，因为她的录音保留了真实的表达。”

无论是英语、法语还是德语歌曲，她都能自然地感受到这些语言的魅力。此外，由于与巴比罗利的合作，她对马勒也怀有特殊的感情。但也有一些人与她结成了偶然的音乐伙伴，其中最著名的是阿德里安·博尔特爵士，他演绎的勃拉姆斯《女高音狂想曲》为这套节目单的开场曲扣人心弦。她以一首抒情艺术歌曲收尾，这首歌的亲切感在她心中占据着特殊的位置，尤其是在与她最喜欢的伴奏者杰弗里·帕森斯一起演唱时。这的确是一套弥足珍贵的曲目，EMI 不收录译作的决定多少让人有些遗憾。（源于Google翻译）

https://115cdn.com/s/swwsotr3hq9?password=3377&#
Baker, Janet - Philips & Decca recordings 1961-1979 (5CD)等3个文件(夹)
推荐的是EMI ICON系列之一，大部分乐友应该都有。另外再分享两个合集。三四星带花她的入选量很多，英国人的原因？

dxs390413 发表于 2025-6-1 16:44
楼主若完成这个贴子，那可是乐友的巨大成就了！
没空间了，眼馋中...
待完成结贴时，买块硬盘支持下{:4_9 ...

犹豫再三才开这个帖，若无特殊原因，会努力更完，争取半年内，最长一年。

St John Passion, BWV 245
TDK DVD DV-BAJPN. Türk, Midori Suzuki, Blaze, Urano, MacLeod, Bach Col. Japan, Masaaki Suzuki

Recorded in Suntory Hall, Tokyo, on 28 July 2000 – the day marking the 250th anniversary of Bach’s death – this is an outstanding version on DVD of the St John Passion, another tribute to the work of Masaaki Suzuki in Japan. In a brief interview which comes as a supplement, he comments on the intensive training in period performance he undertook in Holland, and this performance consistently demonstrates the vigour and sensitivity of his approach to Bach. The interpretation remains very similar to Suzuki’s earlier CD account on BIS, with fresh, light textures and generally brisk speeds, which yet allow for depth of feeling; and the sense of occasion is irresistible. Only Gerd Türk as the Evangelist is presented as a soloist in front of the choir, giving an achingly beautiful performance, with his profound involvement all the more evident when seen as well as heard. Türk also sings the tenor roles, and the other soloists, all first rate, also have double roles, singing in the sixteen-strong choir (4-4-4-4) before stepping forward when needed as soloists, Stephen MacLeod singing Christus as well as the bass arias, Chiyuki Urano singing Pilate and other incidental solos, Robin Blaze a superb soloist, and the ravishing Midori Suzuki in the two soprano arias.

这张DVD于2000年7月28日（巴赫逝世250周年纪念日）在东京三得利音乐厅录制，是《约翰受难曲》的杰出DVD版本，也是对铃木雅明在日本作品的又一次致敬。在作为补充的简短采访中，他谈到了自己在荷兰接受的时代剧演奏的强化训练，而这次演出始终展现了他演奏巴赫作品的活力和敏锐度。这张CD的诠释与铃木雅明早期在BIS唱片公司发行的CD非常相似，质地清新轻盈，速度通常轻快，却又不失深度，其盛况令人难以抗拒。只有福音传教士格尔德·图尔克在合唱团面前担任独唱，奉献了一场令人心碎的优美演出，他深刻的投入在视觉和听觉上都更加明显。 Türk 还演唱男高音角色，其他独唱演员也都是一流的，他们也扮演双重角色，先在 16 人的合唱团 (4-4-4-4) 中演唱，然后在需要时担任独唱，Stephen MacLeod 演唱 Christus 以及男低音咏叹调，Chiyuki Urano 演唱 Pilate 和其他偶然的独唱，Robin Blaze 是一位出色的独唱演员，而令人着迷的 Midori Suzuki 则演唱两首女高音咏叹调。


St Matthew Passion, BWV 244 (CD version)
image Decca 478 2194 (2). Johannes Chum, Hanno Müller-Brachmann, Christina Landshamer, Marie-Claude Chappuis, Maximilian Schmitt, Thomas Quasthof, Klaus Häger, Leipzig Thomanerchor, Tölz Boys’ Ch., Leipzig GO, Chailly

Riccardo Chailly’s glorious new live account of the St Matthew Passion, recorded in the ideal acoustic of the Leipzig Gewandhaus in 2009, is very recommendable indeed. The balance is excellent, as is immediately shown in the opening double chorus, which has striking but not exaggerated antiphonal separation, and there is an ideally wide range of dynamic between soloists and chorus, so the effect is very real, with a fine bloom on the solo voices. Indeed the soloists sing very beautifully, with Johannes Chum’s dedicated Evangelist standing out. The two great arias in Part II, Marie-Claude Chappuis’s Erbarme dich and Christina Landshamer’s Aus Liebe will mein Heiland sterben (with its delicately played obbligato acompaniment for flute and two oboes da caccia) are movingly beautiful, as indeed are the chorales. Chailly’s pacing is freshly resilient and the refined orchestral playing often has the lightest touch.

里卡多·夏伊（Riccardo Chailly）于2009年在莱比锡布商大厦（Leipzig Gewandhaus）理想的音响效果下录制的《马太受难曲》全新现场版本，非常值得推荐。开场的双合唱部分就体现了极佳的平衡性，其对位分离度惊人却又不夸张。独唱和合唱之间的动态范围非常宽广，效果非常真实，独唱部分也绽放出完美的光彩。独唱部分的歌声确实优美动听，其中约翰内斯·丘姆（Johannes Chum）饰演的《福音传道者》（Evangelist）尤为突出。第二部分中的两首伟大的咏叹调，玛丽-克劳德·查普伊斯（Marie-Claude Chappuis）的《我的爱》（Erbarme dich）和克里斯蒂娜·兰德沙默尔（Christina Landshamer）的《我的爱将属于我的天堂》（Aus Liebe will mein Heiland sterben）（其伴奏由长笛和两支卡恰双簧管伴奏，演奏精妙），以及众赞歌，都美得动人。夏伊的节奏充满新鲜弹性，精致的管弦乐演奏往往带有最轻柔的触感。

DVD：
https://115cdn.com/s/swwsbav3hq9?password=3377&#
Bach J.S. - St.John Passion - Masaaki Suzuki, Bach Collegium Japan [DVD9]

CD：
https://115cdn.com/s/swwsbgx3hq9?password=3377&#
Bach, J.S. - St. John Passion, BWV 245 - Masaaki Suzuki, Bach Collegium Japan [BIS 2020 24-96]等4个文件(夹)
铃木的《约翰受难曲》都推荐了，《马太受难曲》岂可错过？

楼主若完成这个贴子，那可是乐友的巨大成就了！
没空间了，眼馋中...
待完成结贴时，买块硬盘支持下

卡住两个审核了，

Motets: Singet dem Herrn ein neues Lied, BWV 225; Der Geist hilft unser Schwachheit auf, BWV 226; Jesu, meine Freude, BWV 227; Fürchte dich nicht, ich bin bei dir, BWV 228; Komm, Jesu, Komm!, BWV 229; Lobet den Herrn, alle Heiden, BWV 230; O Jesu Christ, mein Lebens Licht, BWV 118; Ich lasse dich nicht, du segnest mich den, BWV Anh. 159
BIS SACD 1841. Nonoshita, Matsui, Guillon, Mizukoshi, Bach Col. Japan, Masaaki Suzuki

Bach’s Motets, which include some of the greatest music he ever wrote for chorus, have previously been recommended by us in a fine performance by the Stockholm Bach Choir under Harnoncourt. This is one of his best CDs and, beautifully recorded, it is still worth exploring at mid-price (Teldec 0630 17430-2). But the newest collection from Japan is finer still, and it includes also Ich lasse dich nicht, du segnest mich den, BWV Anh. 159 (which was only partly written by Bach, but includes richly complex polyphony which is most appealing) and the sonorous O Jesu Christ, mein Lebens Licht, lavishly scored, alternatively for strings and brass, so making a resonantly sonorous close to the collection. The familiar motets are memorable too, the opening Singet dem Herrn particularly fresh, and Jesu, meine Freude strikingly beautiful. So is the recording, particularly fine using surround sound in the Kobe Shoin Women’s University Chapel in Japan.

巴赫的经文歌，收录了他为合唱创作的一些最伟大的作品，此前我们曾推荐过，由哈农库特指挥的斯德哥尔摩巴赫合唱团演奏。这是他最好的CD之一，录音精美，仍然值得以中等价位欣赏（Teldec 0630 17430-2）。但日本最新推出的合辑更加精彩，其中还收录了《我若不听，你便会唱出我的心声》（BWV Anh. 159）（这首曲子只有部分由巴赫创作，但其丰富的复音非常引人入胜），以及铿锵有力的《哦，耶稣基督，我的生命之光》，这首乐曲的谱曲华丽，弦乐和铜管乐交替演奏，为这张合辑画上了铿锵有力的句号。那些耳熟能详的经文歌也令人难忘，开场的《男人之歌》尤其清新自然，而《耶稣，我的欢乐》则优美动听。录音效果也很好，尤其是在日本神户松阴女子大学礼拜堂使用环绕声录制，效果特别好。

https://115cdn.com/s/swwsbrg3hq9?password=3377&#
Bach, J.S. - Motets - Masaaki Suzuki, Bach Collegium Japan [ BIS 2009 SACD]等2个文件(夹)

Cantatas (i) 82; (i–iii) 159; (ii) 170
Decca Australian Eloquence (ADD) 476 2684. ASMF, Marriner, with (i) Shirley-Quirk; (ii) Baker; (iii) Tear

Classic accounts of three cantatas, including Sehet, wir gehn hinauf gen Jerusalem (BWV 159) – one of Bach’s most inspired works. Particularly glorious is the meditation, Es ist vollbracht (‘It is finished’), with its poignant oboe obbligato (played by Roger Lord). Both Dame Janet Baker and John Shirley-Quirk are in marvellous voice, as they are in Nos. 82 and 170 – hardly less inspired works and performances. Indeed, this group of cantatas ought to be in every collection, and the recordings (mid-1960s) are of Decca’s best vintage quality.

三部康塔塔的经典演绎，包括《Sehet, wir gehn hinauf gen Jerusalem》（BWV 159）——巴赫最具灵感的作品之一。尤其精彩的是冥想曲《Es ist vollbracht》（“一切都结束了”），其凄美的双簧管伴奏（由罗杰·洛德演奏）令人叹为观止。珍妮特·贝克女爵士和约翰·雪莉-奎克的歌声都令人叹为观止，就像他们在第82号和第170号作品中的表现一样——这些作品和表演同样充满灵感。事实上，这组康塔塔应该出现在每一张唱片中，而这些录音（20世纪60年代中期）更是迪卡唱片公司最优质的复古录音。

Mass in B min., BWV 232 (DVD version)
Virgin DVD 0094637063699. Ziesak, DiDonato, Taylor, Agnew, Henschel, Maîtrise Notre-Dame de Paris, O Ens. de Paris, Nelson
Mass in B min., BWV 232 (CD version)
DG 415 514-2 (2). Argenta, Dawson, Fairfield, Knibbs, Kwella, Hall, Nichols, Chance, Collin, Stafford, Evans, Milner, Murgatroyd, Lloyd Morgan, Varcoe, Monteverdi Ch., E. Bar. Sol., Gardiner

John Nelson gives Bach’s great Mass a highly distinguished DVD début, with a deeply expressive performance, full of life. His soloists, including Daniel Taylor and Joyce DiDonato, are all first rate. Ruth Ziesak sings radiantly and her duet with DiDonato in the Kyrie is an early highlight. The choral group is dominated by the female voices, but the singing in the Gloria, Sanctus, and notably the Osanna is thrilling. Nelson’s tempi cannot be faulted, and the performance moves forward spontaneously to its richly satisfying closing Dona nobis pacem. The authentic-sized orchestra achieves a compromise, playing modern French instruments, and Olivier Simonnet’s video coverage is fully worthy of the performance.

约翰·尼尔森为巴赫的伟大弥撒贡献了首张DVD，其演奏深刻而富有表现力，充满活力。他的独奏家，包括丹尼尔·泰勒和乔伊斯·迪多纳托，都是一流的。露丝·齐萨克的歌声明亮动听，她与迪多纳托合唱的《Kyrie》成为开场亮点。合唱团以女声为主，但《Gloria》、《Sanctus》以及《Osanna》的演唱令人震撼。尼尔森的节奏无可挑剔，演奏自然流畅，最终以令人心满意足的结尾曲《Dona nobis pacem》结束。规模适中的管弦乐队在演奏现代法国乐器方面取得了妥协，而奥利维尔·西蒙内的视频录制也完全配得上这场演出。

On CD, John Eliot Gardiner gives a magnificent account of the B minor Mass, one which attempts to keep within an authentic scale, but which also triumphantly encompasses the work’s grandeur. Gardiner masterfully conveys the majesty (with bells and censer-swinging evoked) simultaneously with a crisply resilient rhythmic pulse. The choral tone is luminous and powerfully projected. The regular solo numbers are taken by choir members, making a cohesive whole. The recording is warmly atmospheric, but not cloudy.

这张CD中，约翰·艾略特·加德纳对B小调弥撒曲进行了精彩的演绎，力求保持作品的原汁原味，同时又完美地展现了作品的宏伟气势。加德纳巧妙地将作品的庄严气势（钟声和香炉摇曳的旋律）与清脆而富有弹性的节奏脉动完美地融合在一起。合唱团的音色明亮而有力。常规的独唱部分由合唱团成员演唱，构成了一个紧密的整体。这张唱片氛围温暖，却不显得浑浊。
（源于Google翻译，始终感觉差点意思）


DVD:
https://115cdn.com/s/swwsby53hq9?password=3377&#
Bach J.S. - Mass Mass in B min., BWV 232 - John Nelson, Ensemble Orchestral de Paris [Virgin DVD9]

CD：
https://115cdn.com/s/swwsbde3hq9?password=3377&#
Bach, J.S. - Cantatas 170, 82 & 159 - Neville Marriner, ASMF, Baker, Shirley-Quirk, Tear [DECCA]等2个文件(夹)